{"title":"ART \u0026 ORIGINAL PRINTS","description":"","products":[{"product_id":"scottish-art-strange-vintage-print-by-edinburgh-born-artist-tony-valentine-b-1939-pencil-signed-and-numbered","title":"SCOTTISH ART. Strange Vintage Print by Edinburgh born artist, Tony Valentine (1939 - 2018). Pencil Signed and Numbered.","description":"\u003cp\u003eony Valentine was born in Edinburgh in 1939. He studied at Edinburgh and Glasgow School of Fine Arts - before moving to France in 1968. He still lives in Maintenon in France where he concentrates on making large oil paintings on wood and wooden sculpture. His current work relies on his fascination with Alice in Wonderland - as well as Scottish volcanoes.\u003c\/p\u003e\n\u003cp\u003eHis work always reveals Valentine's quirky sense of humour.\u003c\/p\u003e\n\u003cp\u003eWorks by this artist - do not often come up for sale in the UK - especially these earlier works dating to before his move to France. This one must date from the early 1960s. Before his move - he exhibited in Scotland at the following galleries - The Demarco Gallery, The Traverse Theatre Gallery in 1966 and the McClellan Gallery in Glasgow in 1968\u003c\/p\u003e\n\u003cp\u003eThis is a rare survivor pencil signed work by Valentine - and it certainly is a quirky image.\u003c\/p\u003e\n\u003cp\u003eDimensions: Image size is 33 x 45.5 cm. Frame Size is 49 x 60 cm\u003c\/p\u003e\n\u003cp\u003eIt shows two strange people or creatures walking in a magical landscape - which is full of random abstract floating shapes - there are three printed coloured making up the image. It reminds me of the work of the Spanish artist Joan Miro - or possibly fellow Scottish artist, Alan Davie.\u003c\/p\u003e\n\u003cp\u003eThe print would look fabulous in a mid-century interior - it is sold in its original wooden frame and cream-coloured window mount - fresh enough to hang straight on your wall - I have photographed the moulding of the frame for your inspection.\u003c\/p\u003e\n\u003cp\u003eIt is probably a work of interest to collectors of contemporary Scottish art - and it is listed here at a very fair price for an original mid-century 1960s Scottish artwork. I would imagine that this is the only surviving impression of this vintage print - so also now probably a unique print. It was originally issued as a small edition of only 30 impressions.  \u003c\/p\u003e\n\u003cp\u003e UK postage would be with Parcelforce48 Tracked service. This would be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616710967360,"sku":"MUSSELBURGH","price":165.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/products\/il_fullxfull.2232469896_kjk2.jpg?v=1764799862"},{"product_id":"scottish-art-william-wilson-1905-1972-the-bell-tower-of-st-aignan-church-chartres-etching-signed-and-titled-in-pencil","title":"SCOTTISH ART. William Wilson (1905 - 1972). The Bell Tower of St Aignan Church, Chartres. ETCHING. Signed and Titled in Pencil","description":"\u003cp\u003eThis is a fine, early etching by the celebrated Scottish artist, William Wilson (1905 - 1972). \u003c\/p\u003e\n\u003cp\u003eIt is a very early work by the artist - done when he was only 22 years old - it is signed in pencil and titled below - and must date to his travels on the Continent in 1926 \/ 1927. \u003c\/p\u003e\n\u003cp\u003eIt is a much sought-after work of the Etching Revival. In the late 19th century \/ early 20th century printmaking in Britain began to be considered more of a fine art - rather than a purely illustrative medium. In Scotland, DY Cameron, James McBey and Muirhead Bone were at the forefront of the printmaking revival and started a mania for people collecting etchings as quality works of art. Printmaking in Scotland flourished.\u003c\/p\u003e\n\u003cp\u003eWillie Wilson was born in Edinburgh in 1905 and first served an apprenticeship in the art of stained glass - his stained glass works are just as amazing as his fine etchings. In 1937 he opened his own stained glass studio, but throughout his life, he worked in three different medium - etching, watercolour painting and stained glass - excelling at each.\u003c\/p\u003e\n\u003cp\u003eFrom the mid-1920s Wilson travelled extensively to the continent. Later trips to Germany in 1928 resulted in these two accomplished works on offer in my \u003cspan\u003eIconic Edinburgh Online S\u003c\/span\u003etore. Wilson’s main influence was art from Northern Europe, in particular, the work of Durer and Breughel. Wilson loved to fill his prints with minute detail and often covered his copperplate right up to the margins.\u003c\/p\u003e\n\u003cp\u003eWilson's work in etching dates between 1925 and late 1940 - and is amongst some of the finest works by any Etching Revival artist. He excels in draughtsmanship (as can be seen in this composition) and his etchings are infused with atmosphere and textures with his fine use of dark tones.\u003c\/p\u003e\n\u003cp\u003eSadly, Wilson began to lose his sight in the 1950s and his work in watercolour and etching came to an abrupt end.\u003c\/p\u003e\n\u003cp\u003eThis is rare early work by Wilson - and it reveals very much the influence of DY Cameron on his etchings. The print concentrates on the shape of the pointed roof of the bell tower of the St Aignan Church, Chartres in France. It is an image full of exquisite detail and again love Wilson's inclusion of little figures in the front of the tower which serves to emphasise the more massive scale of the architecture.\u003c\/p\u003e\n\u003cp\u003eThis is a genuine early work as issued by Wilson in the 1920s - it is pencil signed and titled below in the margins - strangely the artist has not dated this one - but it must date to his travels in Northern Europe in about 1927. The print has been printed with brown ink and the artist has left more plate tone on this one to create a more atmosphere to the image.\u003c\/p\u003e\n\u003cp\u003eThe image measures: 21 x 10 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe price is a fair one for a rarer signed 1920s Wilson etching - and there is renewed interest in his work. There is an exhibition of his work at the Royal Scottish Academy in October 2022, which is accompanied by a catalogue. This print is of museum quality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is in excellent condition - with no issues, The etching has a clean mount and is framed. It is all ready just to hang on your wall.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be sent to you with Royal Mail Tracked and Signed service. It will have private insurance against loss or damage in transit. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616740851776,"sku":"MUSSELBURGH","price":625.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/wilson3.png?v=1768590965"},{"product_id":"joichi-hoshi-1913-1979-japanese-print-entitled-necklace-d-colour-woodcut-on-paper-with-red-seal-mark-1964","title":"JOICHI HOSHI (1913 - 1979). Japanese Print Entitled \"Necklace D\", Colour Woodcut on paper with red seal mark.; 1964","description":"\u003cp\u003eThis is a rare and beautiful colour woodcut by Joichi Hoshi (1913 - 1979). \u003c\/p\u003e\n\u003cp\u003eIt is entitled: Necklace D, 1964.  \u003cspan style=\"font-size: 0.875rem;\"\u003eIt is signed and titled in pencil - and has a red seal mark, as photographed. \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eIt is No. 2 of a small limited edition of 50 impressions.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eImage Dimensions: 33 x 28 cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eJoichi Hoshi was born in 1913 in the Niigata prefecture and educated in Taiwan.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHe returned to Japan after World War II and started his artistic career painting in oil. He taught himself printmaking and exhibited at the Tokyo Print Biennials.\u003c\/p\u003e\n\u003cp\u003eHis early prints (such as this one) depict stars and constellation – but he is best known for his series of tree subjects which he started in the 1970s.\u003c\/p\u003e\n\u003cp\u003eHis prints are keenly sought – and his woodcuts are in prestigious collections: including the Tokyo Museum of Modern Art, the Museum of Modern Art, New York, the Art Institute of Chicago, and the Rockefeller Foundation, New York; amongst others.\u003c\/p\u003e\n\u003cp\u003eGiven the rarity and sheer quality of Hoshi's print - the price on my one is certainly a fair one.\u003c\/p\u003e\n\u003cp\u003eIt is in good vintage condition with no major issues- a wee mark next to the signature as photographed. It has been recently professionally framed. This is probably the first time it has ever been framed up - so all the printed colours are just so vibrant with no fading etc. \u003c\/p\u003e\n\u003cp\u003eUK Postage will be with Parcelforce24 and insured. This will be applied to your order at checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616746389568,"sku":"£975 plus £100 discount","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/22_07_2024_0458.jpg?v=1768046686"},{"product_id":"scottish-art-william-mctaggart-1835-1910-sketch-for-the-painting-do-doggies-gang-to-heaven","title":"SCOTTISH ART. William McTaggart (1835 - 1910). Sketch for the Painting “Do Doggies Gang to Heaven ?”","description":"\u003cp\u003eThis charming little sketch by the celebrated Scottish artist, Sir William Mc Taggart.\u003c\/p\u003e\n\u003cp\u003eIt is one of his initial ideas for the large oil painting that is now in the collection of Glasgow Museums, Kelvingrove. A related pencil sketch is in the collection of the National Gallery of Scotland.\u003c\/p\u003e\n\u003cp\u003eThe composition is full of high Victorian sentiment - and shows a grandfather in a cottage interior reading from the Bible to a little child - who stops the reading in mid-flow with the vital question... Do Dogs Go to Heaven?\u003c\/p\u003e\n\u003cp\u003eThis quick pencil sketch is typical of the numerous jottings or rapid studies that McTaggart would have made before starting a painting. This must have been one of his initial ideas for the oil - as the figures are facing to the right, but are reversed in the final composition, and many of the final details still have to be resolved. The loose style is typical of McTaggart’s graphic work and it had until recently been in the collection of a family member.\u003c\/p\u003e\n\u003cp\u003eDetails of the provenance are given.\u003c\/p\u003e\n\u003cp\u003eThese little compositional pencil sketches by the artist rarely come up for sale.\u003c\/p\u003e\n\u003cp\u003eThe large oil painting was completed in 1867 - so this study must also date to around this period. \u003c\/p\u003e\n\u003cp\u003eThe sheet has now been mounted and framed. It is beautifully presented and ready to just hang on your wall.\u003c\/p\u003e\n\u003cp\u003eImage size: 11 x 9.8 cm. The frame size is 30.5 x 27 cm.\u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616746979392,"sku":"Sold for £495","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/products\/il_fullxfull.1831008707_j81a.jpg?v=1754383648"},{"product_id":"scottish-art-william-wilson-1905-1972-rothenburg-ob-der-tauber-etching-signed-titled-and-dated-1929","title":"SCOTTISH ART. William Wilson (1905 - 1972). Rothenburg ob der Tauber ETCHING. Signed, Titled  and Dated 1929","description":"\u003cp\u003eThis is an extremely fine and rare etching by the celebrated Scottish artist, William Wilson (1905 - 1972).\u003c\/p\u003e\n\u003cp\u003eThis fine early etching has a low edition number from a small issue of only 30 impressions.\u003c\/p\u003e\n\u003cp\u003eIt is numbered by the artist as being 2 \/ 30 and as such is a beautiful velvety impression with much sooty burr in the drypoint areas and rich dark tones.\u003c\/p\u003e\n\u003cp\u003eIt is a much sought-after work of the Etching Revival. In the late 19th century \/ early 20th century printmaking in Britain began to be considered more of a fine art - rather than a purely illustrative medium. In Scotland, DY Cameron, James McBey and Muirhead Bone were at the forefront of the printmaking revival and started a mania for people collecting etchings as quality works of art. Printmaking in Scotland flourished.\u003c\/p\u003e\n\u003cp\u003eWillie Wilson was born in Edinburgh in 1905 and first served an apprenticeship in the art of stained glass - his stained glass works are just as amazing as his fine etchings. In 1937 he opened his own stained glass studio, but throughout his life, he worked in three different mediums - etching, watercolour painting and stained glass - excelling at each.\u003c\/p\u003e\n\u003cp\u003eFrom the mid-1920s Wilson travelled extensively to the continent. Later trips to Germany in 1928 resulted in these two accomplished works on offer in my \u003cspan\u003eIconic Edinburgh Online S\u003c\/span\u003etore. Wilson’s main influence was art from Northern Europe, in particular, the work of Durer and Breughel. Wilson loved to fill his prints with minute detail and often covered his copperplate right up to the margins.\u003c\/p\u003e\n\u003cp\u003eWilson's work in etching dates between 1925 and late 1940 - and is amongst some of the finest works by any Etching Revival artist. He excels in draughtsmanship (as can be seen in this composition) and his etchings are infused with atmosphere and textures with his fine use of dark tones.\u003c\/p\u003e\n\u003cp\u003eSadly, Wilson began to lose his sight in the 1950s and his work in watercolour and etching came to an abrupt end.\u003c\/p\u003e\n\u003cp\u003eThis amazing etching by Wilson shows in the most carefully observed detail the walled city of Rothenburg - this one is entitled Rothenburg ob der Tauber and dates to 1929. This print shows Wilson’s interest in the structural qualities of an image and his relish in depicting all the intricate ever-changing angles of roofs and walls in a jam-packed walled city (perhaps inspired by his home town of Edinburgh with its higgle-piggle rooftops in the Old Town).\u003c\/p\u003e\n\u003cp\u003eI have another dated 1929 pendant view of The Walls, Rothenburg in my \u003cspan\u003eIconic Edinburgh Online S\u003c\/span\u003etore.\u003c\/p\u003e\n\u003cp\u003eThis is a genuine early work as issued by Wilson in the 1920s - it is pencil-signed, edition numbered and titled in the margins below the image.\u003c\/p\u003e\n\u003cp\u003eThe image measures: 15.5 x 21 cm. The frame size is 38.5 x 42 cm.\u003c\/p\u003e\n\u003cp\u003eIt is in excellent condition - with no issues, The etching has a new fresh mount and simple black frame - and is all ready for you to just hang on your wall.\u003c\/p\u003e\n\u003cp\u003eThis print is of museum quality - and an impression is in the collection of the Scottish National Gallery of Modern Art in Edinburgh. \u003c\/p\u003e\n\u003cp\u003eIt will be sent to you with Parcelforce24 \/ Royal Mail Tracked and Signed for. This will also be a fully insured service for any loss or damage in transit. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616747929664,"sku":"MUSSELBURGH","price":1200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/wilson2.png?v=1768589878"},{"product_id":"scottish-art-william-wilson-1905-1972-the-walls-rothenburg-etching-signed-titled-and-dated-1929","title":"SCOTTISH ART. William Wilson (1905 - 1972). The Walls, Rothenburg ETCHING. Signed, Titled  and Dated 1929","description":"\u003cp\u003eThis is an extremely fine and rare etching by the celebrated Scottish artist, William Wilson (1905 - 1972).\u003c\/p\u003e\n\u003cp\u003eThis fine early etching has a low edition number from a small issue of only 30 impressions.\u003c\/p\u003e\n\u003cp\u003eIt is numbered by the artist as being 8 \/ 30 and as such is a beautiful velvety impression with much sooty burr in the drypoint areas and rich dark tones.\u003c\/p\u003e\n\u003cp\u003eIt is a much sought-after work of the Etching Revival. In the late 19th century \/ early 20th century printmaking in Britain began to be considered more of a fine art - rather than a purely illustrative medium. In Scotland, DY Cameron, James McBey and Muirhead Bone were at the forefront of the printmaking revival and started a mania for people collecting etchings as quality works of art. Printmaking in Scotland flourished. \u003c\/p\u003e\n\u003cp\u003eWillie Wilson was born in Edinburgh in 1905 and first served an apprenticeship in the art of stained glass - his stained glass works are just as amazing as his fine etchings. In 1937 he opened his own stained glass studio, but throughout his life, he worked in three different mediums - etching, watercolour painting and stained glass - excelling at each.\u003c\/p\u003e\n\u003cp\u003eFrom the mid-1920s Wilson travelled extensively to the continent. Later trips to Germany in 1928 resulted in these two accomplished works on offer in my \u003cspan\u003eIconic Edinburgh online \u003c\/span\u003estore. Wilson’s main influence was art from Northern Europe, in particular, the work of Durer and Breughel. Wilson loved to fill his prints with minute detail and often covered his copperplate right up to the margins.\u003c\/p\u003e\n\u003cp\u003eWilson's work in etching dates between 1925 and late 1940 - and is amongst some of the finest works by any Etching Revival artist. He excels in draughtsmanship (as can be seen in this composition) and his etchings are infused with atmosphere and textures with his fine use of dark tones.\u003c\/p\u003e\n\u003cp\u003eSadly, Wilson began to lose his sight in the 1950s and his work in watercolour and etching came to an abrupt end.\u003c\/p\u003e\n\u003cp\u003eThis amazing etching by Wilson shows in the most carefully observed detail the walled city of Rothenburg - this one is entitled The Walls, Rothenburg and dates to 1929. This print shows Wilson’s interest in the structural qualities of an image and his relish in depicting all the intricate ever-changing angles of roofs and walls in a jam-packed walled city (perhaps inspired by his home town of Edinburgh with its higgle-piggle rooftops in the Old Town). On this one, I love his inclusion of teeny-weeny people getting about their daily tasks in the cityscape.\u003c\/p\u003e\n\u003cp\u003eI have another etching 1929 pendant view of Rothenburg in my \u003cspan\u003eIconic Edinburgh online \u003c\/span\u003eStore. \u003c\/p\u003e\n\u003cp\u003eThis is a genuine early work as issued by Wilson in the 1920s - it is pencil-signed, edition numbered and titled in the margins below the image.\u003c\/p\u003e\n\u003cp\u003eThe image measures: 21.5 x 20.5 cm. Frame size is 40 x 39 cm\u003c\/p\u003e\n\u003cp\u003eIt is in excellent condition - with no issues, The etching has a new fresh mount and simple black frame - and is all ready for you to just hang on your wall.\u003c\/p\u003e\n\u003cp\u003eThis print is of museum quality - and an impression is in the collection of the Scottish National Gallery of Modern Art in Edinburgh.\u003c\/p\u003e\n\u003cp\u003eIt will be sent to you with Parcelforce24 \/ Royal Mail Tracked and Signed. This will also be a fully insured service against loss or damage in transit. This will be applied to your order at the checkout.  \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616748388416,"sku":"MUSSELBURGH","price":1200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/wilson1.png?v=1768589208"},{"product_id":"scottish-art-william-wilson-1905-1972-gateway-city-walls-chartres-etching-signed-and-titled-in-pencil","title":"SCOTTISH ART. William Wilson (1905 - 1972). Gateway: City Walls, Chartres. ETCHING. Signed and Titled in Pencil","description":"\u003cp\u003eThis is a fine, early etching by the celebrated Scottish artist, William Wilson (1905 - 1972).\u003c\/p\u003e\n\u003cp\u003eIt is a very early work by the artist - done when he was only 22 years old - it is signed in pencil and titled below - and must date to his travels on the Continent in 1926 \/ 1927.\u003c\/p\u003e\n\u003cp\u003eIt is a much sought-after work of the Etching Revival. In the late 19th century \/ early 20th century printmaking in Britain began to be considered more of a fine art - rather than a purely illustrative medium. In Scotland, DY Cameron, James McBey and Muirhead Bone were at the forefront of the printmaking revival and started a mania for people collecting etchings as quality works of art. Printmaking in Scotland flourished. \u003c\/p\u003e\n\u003cp\u003eWillie Wilson was born in Edinburgh in 1905 and first served an apprenticeship in the art of stained glass - his stained glass works are just as amazing as his fine etchings. In 1937 he opened his own stained glass studio, but throughout his life, he worked in three different mediums - etching, watercolour painting and stained glass - excelling at each.\u003c\/p\u003e\n\u003cp\u003eFrom the mid-1920s Wilson travelled extensively to the continent. Later trips to Germany in 1928 resulted in these two accomplished works on offer in my \u003cspan\u003eIconic Edinburgh Online St\u003c\/span\u003eore. Wilson’s main influence was art from Northern Europe, in particular, the work of Durer and Breughel. Wilson loved to fill his prints with minute detail and often covered his copperplate right up to the margins.\u003c\/p\u003e\n\u003cp\u003eWilson's work in etching dates between 1925 and late 1940 - and is amongst some of the finest works by any Etching Revival artist. He excels in draughtsmanship (as can be seen in this composition) and his etchings are infused with atmosphere and textures with his fine use of dark tones.\u003c\/p\u003e\n\u003cp\u003eSadly, Wilson began to lose his sight in the 1950s and his work in watercolour and etching came to an abrupt end. \u003c\/p\u003e\n\u003cp\u003eThis is rare early work by Wilson - and it reveals very much the influence of DY Cameron on his etchings. The print shows a gateway in the city walls at Chartres in France. It is an image full of exquisite detail and I love his inclusion of little figures in the foreground to emphasise the scale of the architecture.\u003c\/p\u003e\n\u003cp\u003eThis is a genuine work as issued by Wilson in the 1920s - it is pencil signed and titled below in the margins - strangely the artist has not dated this one - but it must date to his travels in Northern Europe in about 1927.\u003c\/p\u003e\n\u003cp\u003eThe image measures: 16.5 x 12.5 cm. The frame size is 46.5 x 36.5 cm.\u003c\/p\u003e\n\u003cp\u003eIt is in excellent condition - with no issues, The etching has a clean mount and is framed. \u003c\/p\u003e\n\u003cp\u003eThe price is a fair one for a rarer signed 1920s Wilson etching - and there is renewed interest in his work. There is an exhibition of his work at the Royal Scottish Academy in October 2022, which is accompanied by a catalogue. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePostage will be with Parcelforce24 \/ Royal Mail Tracked and Signed for. This will also be a fully insured service against loss or damage in transit. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616748847168,"sku":"MUSSELBURGH","price":625.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/wilson.png?v=1768586557"},{"product_id":"1902-drawing-interesting-sheet-of-architectural-studies-for-colonial-houses-at-the-island-of-grand-turk","title":"Interesting Sheet of Pen \u0026 Ink Architectural Studies for Colonial Houses at the Island of Grand Turk. Dated 1902","description":"\u003cp\u003eThis is a very rare survivor - a sheet of Architectural Studies for Colonial Houses at the Island of Grand Turk in the West Indies. \u003c\/p\u003e\n\u003cp\u003eThe Turks and Caicos Islands are located 575 miles (925 km) southeast of Miami, Florida, roughly midway between the Bahamas and the Dominican Republic.\u003c\/p\u003e\n\u003cp\u003eThis is an interesting document relating to the architectural history of the island of Grand Turk in the Atlantic - and shows a selection of plans and elevations for public buildings on the island. \u003c\/p\u003e\n\u003cp\u003eThe drawing has been signed off in the bottom corner by John F. Osborne (?), Colonial Surveyor on 21st May 1902.\u003c\/p\u003e\n\u003cp\u003eThe name of the island comes from a species of cactus on the island, the Turk's Cap Cactus (Melocactus intortus), which has a distinctive cap, reminiscent of an Ottoman fez.\u003c\/p\u003e\n\u003cp\u003eIt is here that Christopher Columbus first made landfall on his initial voyage to the New World in 1492.\u003c\/p\u003e\n\u003cp\u003eGrand Turk is the administrative and political capital of the Turks \u0026amp; Caicos Islands, and Cockburn Town has been the seat of government since 1766. \u003c\/p\u003e\n\u003cp\u003eThis small island is bursting with Caribbean charm - founded by Bermudan Salt Rakers some three centuries ago. The island’s Bermudan \/ British colonial architecture amidst the colourful, Caribbean-style local dwellings continue to be a pull for tourists.\u003c\/p\u003e\n\u003cp\u003eToday, many cruise ships (not more than two at a time) stop at the Carnival Cruise Terminal, toward the south end of the island, to provide guests a \"sun and sand\" day while transiting between Florida and the Caribbean. I am sure that with tropical storms etc over the last 120 years since this sketch was made - that the proposed buildings in the sketch no longer survive. I am not sure how this drawing even ended up in Scotland - it is all a bit of a mystery!  Perhaps this sheet should be presented to their local museum as a document of historical interest.\u003c\/p\u003e\n\u003cp\u003eAn interesting archival document - please ask for a full condition report as this is very much a working drawing. But as a working drawing - in quite fine condition and a rare item. There are blotches of brown ink on the sheet - probably made by the artist \/ architect drafting out his plans for the buildings. I have taken lots of images of details for your inspection. \u003c\/p\u003e\n\u003cp\u003eIt will cost £10 to post to you in the UK with Parcelforce24. Please ask about postage outside of the UK. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616753074240,"sku":"Plan Chest Drawer 5","price":175.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/28_01_2025_0171.jpg?v=1738100060"},{"product_id":"edgar-holloway-1914-2008-etching-self-portrait-no-18-summer-84-limited-edition-of-50-impressions","title":"Edgar Holloway (1914-2008). Etching; Self Portrait No. 18 (Summer '84). Limited Edition of 50 Impressions","description":"\u003cp\u003eThis is a fine self-portrait by the celebrated artist, Edgar Holloway.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt is from a small limited edition of only 50 impressions issued and this one is No. 8 - so all the lines are nice and crisps - with little signs of wear to the plate.\u003c\/p\u003e\n\u003cp\u003eIt is signed in pencil and edition number by the artist.\u003c\/p\u003e\n\u003cp\u003eHolloway must have thought quite a lot of this print - as you can see from the label on the back - that he submitted it himself to the Royal Academy Summer Exhibition in 1985 for inclusion. Interestingly - the submission label on the reverse of the frame shows that he has sent it from Woodbarton at Ditchling Common - which was previously the home of his friend and mentor, Eric Gill. \u003c\/p\u003e\n\u003cp\u003eThis print was later sold through the Open Eye Gallery in Edinburgh.\u003c\/p\u003e\n\u003cp\u003eThis sensitive and penetrating self-portrait is made using etching and aquatint - impressions of it are now quite hard to source. Another impression is in the collection of the National Galleries of Scotland.\u003c\/p\u003e\n\u003cp\u003eHISTORY: Holloway died in 2008 of 94 - and was the last survivor of the Etching Revival of the 1920s and 1930s. He was a legend in the history of British printmaking.\u003c\/p\u003e\n\u003cp\u003eHe was born at Mexborough, near Doncaster, on May 6 1914,\u003c\/p\u003e\n\u003cp\u003eBy the age of 20, Holloway had gained the favour of some of the key figures of the \"etching boom\", among them Campbell Dodgson, then keeper of the department of prints and drawings at the British Museum, where his work was exhibited. His one-man exhibitions in London met with critical acclaim, and he also featured at the Victoria and Albert Museum and other major national institutions.\u003c\/p\u003e\n\u003cp\u003eHe had gained the respect of established printmakers, including John Copley, Muirhead Bone and Joseph Webb, and became a close friend of the artist, William Wilson.\u003c\/p\u003e\n\u003cp\u003eA retrospective was held at the Ashmolean Museum, Oxford in 1991 and in the same year he was elected a member of the Royal Society of Painter-Etchers and Engravers. His work is in the collections at the British Museum, the Victorian and Albert Museum, in London, the National Museum of Wales, Harvard University and the New York Public Library.\u003c\/p\u003e\n\u003cp\u003eAlthough Edgar Holloway made many highly accomplished topographical prints and fine portraits, he is best known today for the many penetrating and superbly handled self-portrait etchings through which he revealed his own intriguing persona (such as this one).\u003c\/p\u003e\n\u003cp\u003eGiven that such fine impressions of this print are now hard to source - my asking price for a work by this major British printmaker is certainly a fair one. It is in good condition with no issues - it is sold framed in its original frame as presented to the RA by Holloway - but it could possibly do with a new mount etc - but have left in its frame which has all the provenance details all written in the artist's own hand on the back. \u003c\/p\u003e\n\u003cp\u003ePostage will be with Parcelforce24 \/ Royal Mail Tracked and Signed. This will be a fully insured service against loss or damage in transit. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616753565760,"sku":"MUSSELBURGH","price":325.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/holloway1.png?v=1768587202"},{"product_id":"maltese-art-early-19th-century-watercolour-costume-studies-by-vincenzo-feneck-algerian-gentleman-with-long-pipe","title":"MALTESE ART. Early 19th Century Watercolour Costume Studies by Vincenzo Feneck. Algerian Gentleman with Long Pipe","description":"\u003cp\u003eThis is one of a small and very rare set of early 19th-century watercolour costume studies by the Maltese artist, Vincenzo Feneck. They are all on offer in my \u003cspan\u003eIconic Edinburgh Online \u003c\/span\u003eStore -\u003c\/p\u003e\n\u003cp\u003eFeneck was born in Malta, and his delicate watercolour studies of national or local costume are keenly sought after by collectors.\u003c\/p\u003e\n\u003cp\u003eThese watercolours are in his customary small scale - they have never been framed for display and consequently, all the watercolour details remain bright and fresh on each design.\u003c\/p\u003e\n\u003cp\u003eThis is another beautifully rendered study of an Algerian Gentleman. He is shown in traditional costumer - and wears a green jacket over a red shirt - love his big baggy pantaloons. He carries a long red pipe.\u003c\/p\u003e\n\u003cp\u003eThe costume study is painted in watercolour with slight traces of black under-drawing on wove paper\u003c\/p\u003e\n\u003cp\u003eSheet Size: 22.5 x 16.5 cm; Signed lower left: V Feneck\u003c\/p\u003e\n\u003cp\u003eInscribed lower right “No 26” and below the image “ Parganiotto”\u003c\/p\u003e\n\u003cp\u003eCONDITION: with slight crease to top right-hand corner and bottom left-hand corner.\u003c\/p\u003e\n\u003cp\u003eThese are of museum collection quality - and other similar costume studies are in the collection of the Met in New York.\u003c\/p\u003e\n\u003cp\u003eThese are genuine watercolour studies by Feneck - and NOT later copies or reproductions. They are sold as original artworks and sold as such.  \u003c\/p\u003e\n\u003cp\u003ePostage will be with Royal Mail Tracked Parcel. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616753696832,"sku":"SOLANDER BOX A","price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/pipe.png?v=1768047169"},{"product_id":"maltese-art-early-19th-century-watercolour-costume-studies-by-vincenzo-feneck-algerian-ships-captain","title":"MALTESE ART. Early 19th Century Watercolour Costume Studies by Vincenzo Feneck. Algerian Ship's Captain","description":"\u003cp\u003eThis is one of a small and very rare set of early 19th-century watercolour costume studies by the Maltese artist, Vincenzo Feneck. They are all on offer in my \u003cspan\u003eIconic Edinburgh Online  Store. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFeneck was born in Malta, and his delicate watercolour studies of national or local costume are keenly sought after by collectors.\u003c\/p\u003e\n\u003cp\u003eThese watercolours are in his customary small scale - they have never been framed for display and consequently, all the watercolour details remain bright and fresh on each design.\u003c\/p\u003e\n\u003cp\u003eThis is a fine study of an Algerian Ship's Captain - he is shown on the quayside. He wears an exotic white and blue tunic - and holds a long red pipe. \u003c\/p\u003e\n\u003cp\u003eThis drawing is in watercolour with slight traces of black under-drawing on wove paper\u003c\/p\u003e\n\u003cp\u003eSheet Size: 16.5 x 15 cm; Signed lower left: V Feneck\u003c\/p\u003e\n\u003cp\u003eInscribed lower right “No. 50” and below the image “Capitano di Nave in Algeri”\u003c\/p\u003e\n\u003cp\u003eCONDITION: Good Condition. Nice bright colours as they have never been on displayl\u003c\/p\u003e\n\u003cp\u003eThese are of museum collection quality - and other similar costume studies are in the collection of the Met in New York.\u003c\/p\u003e\n\u003cp\u003eThese are genuine watercolour studies by Feneck - and NOT later copies or reproductions. They are sold as original artworks and sold as such.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be sent with Royal Mail Tracked post to you. This will be applied at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616753926208,"sku":"SOLANDER BOX A","price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/pipe1.png?v=1768047642"},{"product_id":"scottish-art-robert-henderson-blyth-1919-1970-spanish-camerawoman-colour-lithograph-on-paper","title":"SCOTTISH ART: Robert Henderson Blyth (1919- 1970). Spanish Camerawoman. Colour lithograph on paper","description":"\u003cp\u003eThis is a very interesting print by Robert Henderson Blyth (1919- 1970).\u003c\/p\u003e\n\u003cp\u003eRobert Henderson Blyth was born in Glasgow and studied at Glasgow School of Art from 1934 - 1939. Blyth joined the Royal Army Medical Corps in 1941 and served with them until the end of the Second World War. \u003c\/p\u003e\n\u003cp\u003eIn 1946 he began teaching at the Edinburgh School of Art and became an artist in residence at Hospitalfield House, Arbroath. He moved to Aberdeen in 1954 to take up a post at Gray's School of Art, where he became head of drawing in 1960, a post he maintained until his death in 1970. He was very influential on a whole generation of Scottish artists. \u003c\/p\u003e\n\u003cp\u003eIt is a most attractive and unusual image by him. It is one of Blyth's fine colour lithographs - and is signed by him, bottom left (as photographed). It dates to 1958.\u003c\/p\u003e\n\u003cp\u003eThe print is in good condition with no issues. The sheet is loose and has not been laid down. I have had it all recently framed in a good quality window mount and simple black frame. It is ready for you to just hang on your wall.  \u003c\/p\u003e\n\u003cp\u003e The image size is 26 x 28.5 cm\u003c\/p\u003e\n\u003cp\u003eThis lithograph shows a lady photographer. She wears a large white sun hat and a long smock dress. She has a portable camera which she moves about on a trolley with large wheels, and to her side is a large furled parasol and a little stool for her to sit on. Her photographs are set out in front of a row of sun-bleached houses, and she prepares to offer them to tourists or visitors. The leafy palm trees in the background suggest that Blyth may have created this lithograph whilst he was visiting Spain.\u003c\/p\u003e\n\u003cp\u003eThese lovely colour lithographs by Robert Henderson Blyth are relatively rare and do not come up for sale that often. Works by Blyth are in the collection of the National Galleries of Scotland. \u003c\/p\u003e\n\u003cp\u003eIt will be sent to you with Parcelforce24 \/ Royal Mail Tracked postage. This will be a fully insured parcel against loss or damage in transit. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616759693376,"sku":"MUSSELBURGH","price":320.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/Blyth_b63c4d44-9a44-4af3-82d7-953c409d01ec.png?v=1768596215"},{"product_id":"glamorous-lady-original-colour-etching-by-louis-icart-le-belle-rose-1933-pencil-signed","title":"Glamorous Lady. ORIGINAL COLOUR ETCHING by Louis Icart. La Belle Rose (1933). Pencil Signed","description":"\u003cp\u003eThis is a fabulous colour etching by the French artist, Louis Icart (1880 - 1950).\u003c\/p\u003e\n\u003cp\u003eIcart was born at Toulouse in France, and from his early years showed an interest in fashion.\u003c\/p\u003e\n\u003cp\u003eThis is one of the finest etchings and aquatints by the artist. It has been hand-coloured and has the distinctive Windmill Blindstamp towards the bottom edge. At the top, it is inscribed with the publication line: Copyright 1933 by L. Icart. S.TY = N.Y. =\u003c\/p\u003e\n\u003cp\u003eThis extremely sought-after and fine original etching has beautiful and very subtle hand colouring. The flower heads are touched with delicate blushes of pink and dappled greens are on the leaves. Our lovely lady has \"moderne\" golden blonde hair with blue eyes. She is the epitome of glamour with his red rosebud lips and ruby fingernails.\u003c\/p\u003e\n\u003cp\u003eShe has obviously been out in the garden having a summer stroll. She has been wearing a wide-brimmed hat with long ribbons. She has just returned home to her boudoir - where she is surrounded by heaped bouquets of blousy pink roses. She reclines on a divan and her diaphanous dress rides up above her knees. She teases the viewer with her direct \"come and get me\" gaze - and you even get a little peep of a shapely thigh just above her stocking tops. The oval shape gives you the suggestion that you are almost spying on our beautiful lady as she waits in anticipation for her lover to arrive.\u003c\/p\u003e\n\u003cp\u003eBy the late 1920s Icart, working for both publications and major fashion and design studios had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard.\u003c\/p\u003e\n\u003cp\u003eIcart's portrayal of women is usually sensuous, often erotic, yet always imbued with an element of humour, which is as important as implied or direct sexuality. The beautiful courtesans cavort on rich, thick pillows; their facial expressions projecting passion, dismay or surprise, for the women of Louis Icart are the women of France as we have imagined them to be Eve, Leda, Venus, Scheherazade and Joan of Arc, all wrapped up into an irresistible package.\u003c\/p\u003e\n\u003cp\u003eImage size: 42 x 52.5 cm (oval). Frame size: 58 x 69.5 cm.  \u003c\/p\u003e\n\u003cp\u003eCondition: in exceptional condition with no issues. Recently re-mounted with a fresh museum-quality mat. With original decorative gold gilt frame. You will not find a better impression than this one. \u003c\/p\u003e\n\u003cp\u003eUK Postage will be Parcelforce24 (very carefully packed). This will be applied to your order at checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616759988288,"sku":"MUSSELBURGH","price":1725.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/icart.png?v=1767995534"},{"product_id":"swedish-art-egron-sillif-lundgren-1815-1875-watercolour-portrait-of-a-lady-dressed-for-a-masked-ball","title":"SWEDISH ART: Egron Sillif  Lundgren (1815 - 1875)  Watercolour Portrait of a Lady Dressed for a Masked Ball","description":"\u003cp\u003eEgron Sillif Lundgren (1815 - 1875);  \"Portrait of a Lady Dressed for a Masked Ball\"; Watercolour and gouache on paper; Signed with initials to the right: EL\u003c\/p\u003e\n\u003cp\u003eImage size: 46 x 34.5 cm.\u003c\/p\u003e\n\u003cp\u003eThis exquisite large-scale watercolour was painted by the 19th-century Swedish artist Egron Sillif Lundgren. He was born in Stockholm in 1815, and later trained at the Academy of Stockholm, and in Paris in the studio of Leon Cogniet.\u003c\/p\u003e\n\u003cp\u003eIn the 1840s and 50s, he travelled widely, visiting Italy, Spain, Egypt and India and developed a taste for the exotic. In Spain, he came under the influence of the Scottish painter, John (“Spanish”) Phillip and he started to move away from painting in oils to painting with watercolour. Indeed, Lundgren is often regarded as the “father of watercolour painting in Sweden”.\u003c\/p\u003e\n\u003cp\u003eIn 1849 on his travels through Italy, Lundgren interestingly served under the Italian revolutionary Giuseppe Garibaldi in the siege of Rome.\u003c\/p\u003e\n\u003cp\u003eAs an artist, he made his name in England - where Lundgren settled in 1853. His reputation was secured when he was commissioned by Queen Victoria to paint ceremonial portraits. In 1857, Lundgren accompanied Colin Campbell, 1st Baron Clyde on his campaign to quell the Indian Rebellion; he produced hundreds of sketches recording his trip and the people he met. Lundgren was elected an associate member of the Royal Watercolour Society, London in February 1864, and was later made a full member in 1867. \u003c\/p\u003e\n\u003cp\u003eLundgren excelled at watercolours - and he often favoured Oriental scenes and subjects (landscapes, genres and fancy portraits). He is best known for his dramatic watercolour and gouache studies of beautiful ladies in exotic costumes. Pictures of stunning young women in “fancy” costumes were very popular in the 19th century - and Lundgren took delight in both capturing shimmering images of the sitter, as well as concentrating on all the details of their dazzling costumes. His portraits featuring ladies dressed to attend masked balls allowed him to concentrate on depicting fine textiles, jewellery and coiffure, often with all details illuminated against a darker background.\u003c\/p\u003e\n\u003cp\u003eThis large museum-quality watercolour is signed in the background with his initials: EL (he often only used his initials discretely placed in the background to sign his compositions). It is a charming and vibrant portrait - showing a lady in “fancy dress” for a masque. The lady wears a fine costume, probably based on Victorian interpretations of the type of dress which would have been worn at the court of Mary, Queen of Scots. The lady holds a black mask to wear when she attends the ball.\u003c\/p\u003e\n\u003cp\u003eExamples of his work are in the National Museum, Stockholm and the Victoria and Albert Museum in London.\u003c\/p\u003e\n\u003cp\u003ePlease discuss postal \/ shipping options with me before paying etc.\u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616760217664,"sku":"MUSSELBURGH","price":3925.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/ball.png?v=1767995068"},{"product_id":"maltese-art-early-19th-century-watercolour-costume-studies-by-vincenzo-feneck-algerian-lady-and-child","title":"MALTESE ART. Early 19th Century Watercolour Costume Studies by Vincenzo Feneck. Algerian Lady and Child","description":"\u003cp\u003eThis is one of a small and very rare set of early 19th-century watercolour costume studies by the Maltese artist, Vincenzo Feneck. They are all on offer in my \u003cspan\u003eIconic Edinburgh Online \u003c\/span\u003eStore -\u003c\/p\u003e\n\u003cp\u003eFeneck was born in Malta, and his delicate watercolour studies of national or local costumes are keenly sought after by collectors.\u003c\/p\u003e\n\u003cp\u003eThese watercolours are in his customary small scale - they have never been framed for display and consequently, all the watercolour details remain bright and fresh on each design.\u003c\/p\u003e\n\u003cp\u003eThis is a fine costume study of an Algerian Lady wearing a tall pointed hat (or Sarma) \u0026amp; veil. She wears a traditional red and white Dress. She is shown accompanied by a little child.\u003c\/p\u003e\n\u003cp\u003eA later drawing of a woman wearing a similar costume entitled “Jewish Woman of Algiers” by Louis Roguin is in the collection of the National Gallery of Scotland\u003c\/p\u003e\n\u003cp\u003eThis little watercolour has slight traces of black under-drawing and is on fine wove paper.\u003c\/p\u003e\n\u003cp\u003eSheet Size: 16 x 15 cm;\u003c\/p\u003e\n\u003cp\u003eSigned lower left: V Feneck. Inscribed lower right “No 46” and below the image “Giudea di Algeri”.\u003c\/p\u003e\n\u003cp\u003eThese are of museum collection quality - and other similar costume studies are in the collection of the Met in New York.\u003c\/p\u003e\n\u003cp\u003eCONDITION: with slight staining to the sheet along the left-hand edge. These are genuine watercolour studies by Feneck - and NOT later copies or reproductions. They are sold as original artworks.\u003c\/p\u003e\n\u003cp\u003ePostage will be for a fully insured parcel with Royal Mail Tracked. This will be applied to your order at the checkout.  \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616761036864,"sku":"SOLANDER BOX A","price":595.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/algerian1.png?v=1768058800"},{"product_id":"maltese-art-early-19th-century-watercolour-costume-studies-by-vincenzo-feneck-algerian-lady-with-white-veil","title":"MALTESE ART. Early 19th Century Watercolour Costume Studies by Vincenzo Feneck. Algerian Lady with White Veil","description":"\u003cp\u003eThis is one of a small and very rare set of early 19th-century watercolour costume studies by the Maltese artist, Vincenzo Feneck. They are all on offer in my \u003cspan\u003eIconic Edinburgh Online Store. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFeneck was born in Malta, and his delicate watercolour studies of national or local costume are keenly sought after by collectors.\u003c\/p\u003e\n\u003cp\u003eThese watercolours are in his customary small scale - they have never been framed for display and consequently, all the watercolour details remain bright and fresh on each design.\u003c\/p\u003e\n\u003cp\u003eThis is a fine study by Feneck of an Algerian lady who is seen wearing a white veil. She also wears striped trousers and cute little red pointed slippers.\u003c\/p\u003e\n\u003cp\u003ePainted with watercolour with slight traces of black under-drawing on wove paper\u003c\/p\u003e\n\u003cp\u003eSheet Size: 16 x 14.5 cm; Signed lower left: V Feneck\u003c\/p\u003e\n\u003cp\u003eInscribed lower right “No. 32” and below the image “Algerino in Hiada”\u003c\/p\u003e\n\u003cp\u003eCONDITION: Good Condition. Nice bright colours as it has never been on displaly. \u003c\/p\u003e\n\u003cp\u003eThese are of museum collection quality - and other similar costume studies are in the collection of the Met in New York.\u003c\/p\u003e\n\u003cp\u003eThese are genuine watercolour studies by Feneck - and NOT later copies or reproductions. They are sold as original artworks.\u003c\/p\u003e\n\u003cp\u003eIt was be sent as a fully insured parcel with Royal Mail Tracked and Signed for Post. This will be applied to your orders at the checkout. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616761233472,"sku":"SOLANDER BOX A","price":475.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/veil.png?v=1768059175"},{"product_id":"maltese-art-early-19th-century-watercolour-costume-studies-by-vincenzo-feneck-neapolitan-lady-carrying-a-pail-of-water","title":"MALTESE ART. Early 19th Century Watercolour Costume Studies by Vincenzo Feneck.  Neapolitan Lady Carrying a Pail of Water","description":"\u003cp\u003eThis is one of a small and very rare set of early 19th-century watercolour costume studies by the Maltese artist, Vincenzo Feneck. They are all on offer in my Iconic Edinburgh Online Store -\u003c\/p\u003e\n\u003cp\u003eFeneck was born in Malta, and his delicate watercolour studies of national or local costume are all keenly sought after by collectors.\u003c\/p\u003e\n\u003cp\u003eThese watercolours are in his customary small scale - they have never been framed for display and consequently, all the watercolour details remain bright and fresh on each design.\u003c\/p\u003e\n\u003cp\u003eAnother fine study of a Neapolitan lady - who is shown in traditional costume - she is carrying a large pail of water - or perhaps milk.\u003c\/p\u003e\n\u003cp\u003eAgain, it is painted in watercolour with slight traces of black under-drawing on wove paper\u003c\/p\u003e\n\u003cp\u003eSheet Size: 16.5 x 15 cm; Signed lower left: V Feneck\u003c\/p\u003e\n\u003cp\u003eInscribed lower right “No. 30” and below the image “Contadina de Villa Lago (provincial dell Acquila) nel Regno di Napoli\u003c\/p\u003e\n\u003cp\u003eCONDITION: Good Condition. Nice bright colours.\u003c\/p\u003e\n\u003cp\u003eThese are of museum collection quality - and other similar costume studies are in the collection of the Metropolitan Museum in New York.\u003c\/p\u003e\n\u003cp\u003eThese are genuine watercolour studies by Feneck - and NOT later copies or reproductions. They are sold as original artworks.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be sent to you with a fully insured Royal Mail Tracked and Signed for Parcel. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616761626688,"sku":"SOLANDER BOX A","price":475.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/water.png?v=1768060935"},{"product_id":"maltese-art-early-19th-century-watercolour-costume-studies-by-vincenzo-feneck-neapolitan-bandit-brandishing-a-musket","title":"MALTESE ART. Early 19th Century Watercolour Costume Studies by Vincenzo Feneck. Neapolitan Bandit Brandishing a Musket","description":"\u003cp\u003eThis is one of a small and very rare set of early 19th-century watercolour costume studies by the Maltese artist, Vincenzo Feneck. They are all on offer in my \u003cspan\u003eIconic Edinburgh Online.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFeneck was born in Malta, and his delicate watercolour studies of national or local costume are keenly sought after by collectors.\u003c\/p\u003e\n\u003cp\u003eThese watercolours are in his customary small scale - they have never been framed for display and consequently, all the watercolour details remain bright and fresh on each design.\u003c\/p\u003e\n\u003cp\u003eThis is a study of a Neapolitan Bandit - he is shown in traditional costume and brandishes a large musket.\u003c\/p\u003e\n\u003cp\u003eA fine study painted with a lot of attention to detail. It is watercolour with slight traces of black under-drawing on wove paper.\u003c\/p\u003e\n\u003cp\u003eSheet Size: 16.5 x 14.8 cm; Signed lower left: V Feneck\u003c\/p\u003e\n\u003cp\u003eInscribed lower right “No. 43” and below the image “Brigante ofsia Bandito nel Regno di Napoli”\u003c\/p\u003e\n\u003cp\u003eCONDITION: Generally fine condition, no foxing or staining. Colours nice and bright.\u003c\/p\u003e\n\u003cp\u003eThese are of museum collection quality - and other similar costume studies are in the collection of the Met in New York.\u003c\/p\u003e\n\u003cp\u003eThese are genuine watercolour studies by Feneck - and NOT later copies or reproductions. They are sold as original artworks,\u003c\/p\u003e\n\u003cp\u003eThe artwork will be sent to you as a fully insured parcel with Royal Mail Tracked and Signed for Post. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616761921600,"sku":"SOLANDER BOX A","price":475.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/bandit.png?v=1768060469"},{"product_id":"maltese-art-early-19th-century-watercolour-costume-studies-by-vincenzo-feneck-a-spanish-lady-in-long-black-veil","title":"MALTESE ART. Early 19th Century Watercolour Costume Studies by Vincenzo Feneck. A Spanish Lady in Long Black Veil","description":"\u003cp\u003eThis is one of a small and very rare set of early 19th-century watercolour costume studies by the Maltese artist, Vincenzo Feneck. They are all on offer in my Iconic Edinburgh Online Store - \u003c\/p\u003e\n\u003cp\u003eFeneck was born in Malta, and his delicate watercolour studies of national or local costumes are keenly sought after by collectors.\u003c\/p\u003e\n\u003cp\u003eThese watercolours are in his customary small scale - they have never been framed for display and consequently, all the watercolour details remain bright and fresh on each design.\u003c\/p\u003e\n\u003cp\u003eThis costume study features a Spanish Lady - she is shown wearing a long black dress and veil.\u003c\/p\u003e\n\u003cp\u003eAgain, painted in watercolour with slight traces of black chalk under-drawing on wove paper\u003c\/p\u003e\n\u003cp\u003eSheet Size: 18.5 x 15 cm; Signed lower left: V. Feneck\u003c\/p\u003e\n\u003cp\u003eInscribed lower right “No. 2” and below the image “Signora Spagnola”\u003c\/p\u003e\n\u003cp\u003eCONDITION: Generally fine condition, a few light areas of spotting on the sheet, mostly confined to the bottom edge and the right-hand side – but not affecting the image. This is reflected in my asking price - the drawing will still look just fine if given a nice new window mount and frame.\u003c\/p\u003e\n\u003cp\u003eThese are of museum collection quality - and other similar costume studies are in the collection of the Met in New York.\u003c\/p\u003e\n\u003cp\u003eThese are genuine watercolour studies by Feneck - and NOT later copies or reproductions. They are sold as original artworks.\u003c\/p\u003e\n\u003cp\u003eIt will be posted to you with fully insured parcel service with Royal Mail. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616765296704,"sku":"SOLANDER BOX A","price":425.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/spanish.png?v=1768059646"},{"product_id":"maltese-art-early-19th-century-watercolour-costume-studies-by-vincenzo-feneck-a-gentleman-from-corfu","title":"MALTESE ART. Early 19th Century Watercolour Costume Studies by Vincenzo Feneck. A Gentleman from Corfu","description":"\u003cp\u003eThis is one of a small and very rare set of early 19th-century watercolour costume studies by the Maltese artist, Vincenzo Feneck. They are all on offer in my \u003cspan\u003eIconic Edinburgh Online \u003c\/span\u003eStore -\u003c\/p\u003e\n\u003cp\u003eFeneck was born in Malta, and his delicate watercolour studies of national or local costume are keenly sought after by collectors.\u003c\/p\u003e\n\u003cp\u003eThese watercolours are in his customary small scale - they have never been framed for display and consequently, all the watercolour details remain bright and fresh on each design.\u003c\/p\u003e\n\u003cp\u003eThis is another interesting costume study - this time showing an image of a gentleman from the Island of Corfu, Greece\u003c\/p\u003e\n\u003cp\u003eHe is shown in the traditional costume of Corfu. The man wears a red cap, blue jacket and pantaloons, striped blue and white stockings.\u003c\/p\u003e\n\u003cp\u003eThe study is in watercolour with slight traces of black chalk under-drawing on wove paper\u003c\/p\u003e\n\u003cp\u003eSheet Size: 22.5 x 16 cm; Signed lower left: V Feneck\u003c\/p\u003e\n\u003cp\u003eInscribed lower right: “No. 17” and below the image “Bacajuolo di Corfu” \u003c\/p\u003e\n\u003cp\u003eCONDITION: Generally fine condition, with a slight stain to the left-hand margin and a tiny black mark near the upper left-hand corner. No foxing. Colour unfaded.\u003c\/p\u003e\n\u003cp\u003eThese are of museum collection quality - and other similar costume studies are in the collection of the Metropolitan Museum in New York.\u003c\/p\u003e\n\u003cp\u003eThese are genuine watercolour studies by Feneck - and NOT later copies or reproductions. They are sold as original artworks,\u003c\/p\u003e\n\u003cp\u003ePostage will be for a fully insured parcel. It will be Tracked and Signed with Royal Mail. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616765427776,"sku":"SOLANDER BOX A","price":475.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/corfu.png?v=1768060073"},{"product_id":"scottish-art-charles-rennie-dowell-1867-1935-four-little-watercolour-illustrations-relating-to-the-race-for-the-north-pole-in-1909","title":"SCOTTISH ART: Charles Rennie Dowell ( 1867 - 1935). Four Little Watercolour Illustrations Relating to the Race for the North Pole in 1909","description":"\u003cp\u003eThis is a delightful set of four little original watercolour illustrations relating to the Race for the North Pole in 1909. The four little images were made by Charles Rennie Dowell ( 1867 - 1935). \u003c\/p\u003e\n\u003cp\u003eThey are all painted in watercolour on paper, laid down on card (sold unframed).\u003c\/p\u003e\n\u003cp\u003eCharles R. Dowell was born in Glasgow and was best known for his paintings in oil and watercolour, especially his fine portraits and interiors, as well as his stunning views of fishing villages of the east coast of Scotland.\u003c\/p\u003e\n\u003cp\u003eHe studied at the Glasgow School of Art under the influential Fra Newbury and won a travelling scholarship to Rome. He was Vice-President of the prestigious Glasgow Art Club (members included many of the Glasgow Boys and the Scottish Colourists) and was elected a member of the Royal Society of Watercolours. \u003c\/p\u003e\n\u003cp\u003eDowell regularly exhibited at the Royal Scottish Academy in Edinburgh, and at the Glasgow Institute. Works by Dowell are in the collection of the Glasgow Art Gallery.\u003c\/p\u003e\n\u003cp\u003eThese four little humorous studies are rare and unique reactions to events taking place relating to early polar expeditions by the USA. The watercolours were made in 1910 by Dowell at his studio at 101 St Vincent Street in Glasgow (as annotated on the back of each image). The subject was inspired by the controversy about rival claims by two American explorers that they were the first person to reach the North Pole. The arguments put forward by each party continued to appear in newspapers and chronicles for a number of years.\u003c\/p\u003e\n\u003cp\u003eRobert Peary (1856 - 1920 claimed to have led the first successful expedition to the Geographic North Pole on 6th April 1909. His competitor, Frederick Cook (1865 - 1940), refuted his claim and said that he had actually got there one year earlier on 21st April 1908. There was also a hint of the scandal with rumours of Peary fathering children with native Innuit women outside of marriage - this is probably being referred to in Dowell’s little sketch of a man rubbing noses with a pretty Eskimo lady.\u003c\/p\u003e\n\u003cp\u003eVery interesting pieces of social history and dating from the time the controversy was raging. These contemporary caricatures are now very rare and this is reflected in my price for these special little records, lampooning American polar exploration at the start of the 20th century.\u003c\/p\u003e\n\u003cp\u003eProbably items for a special archive or collection relating to early polar exploration and travel. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616765558848,"sku":"PLAN CHEST DRAWER 2","price":675.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/pole2.png?v=1767463832"},{"product_id":"1960s-vintage-original-fashion-drawing-showing-three-glamour-models-in-la-mode-outfits","title":"1960s Vintage Original Fashion Drawing Showing Three Glamour Models in La Mode Outfits","description":"\u003cp\u003eThis is a rare 1960s stylised fashion drawing showing three glamour models in La Mode outfits. These outfits are all very Biba \/ Liberty in style and inspiration. The models look a little like Twiggy did at this time - please see my catalogue in my shop for the film \"The Boyfriend\". \u003c\/p\u003e\n\u003cp\u003eThe drawing is unsigned (many fashion sketches were never signed) - but given the fabulous draughtsmanship of this study - it must have been made by a skilled artist or designer. \u003c\/p\u003e\n\u003cp\u003eCheck out how skillfully the feet on one model are drawn. \u003c\/p\u003e\n\u003cp\u003eSo - on offer here is a unique vintage artwork - pen, ink and watercolour wash with white heightening on buff paper. It dates to the late 1960s or the early 1970s.\u003c\/p\u003e\n\u003cp\u003eIt is drawn on rather fine and delicate paper which has a little crinkling to it due to the fineness of the sheet  - but has no condition issues such as tears or staining. \u003c\/p\u003e\n\u003cp\u003eWould just need a simple frame to be hung on your wall for display - a fair price for this decorative vintage design. A unique 50-year plus artwork at a bargain price.\u003c\/p\u003e\n\u003cp\u003eIt will be posted to you in the UK with Parcelforce24. This will be about £10 and  applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616765886528,"sku":"Plan Chest Drawer VIII","price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/26012025_0077.jpg?v=1739222722"},{"product_id":"georgian-print-satirical-print-1810-a-new-game-of-shuttle-cock-for-john-bull-hand-coloured-etching-framed","title":"GEORGIAN PRINT. Satirical Print 1810. A New Game of Shuttle Cock ... for John Bull. Hand Coloured Etching. FRAMED","description":"\u003cp\u003eThis is a fine original antique hand-coloured etching which was published in 1810. \u003c\/p\u003e\n\u003cp\u003eIt is all nicely framed and ready just to hang on your wall.\u003c\/p\u003e\n\u003cp\u003eIt is certainly a very interesting satirical print - of museum quality - and indeed an impression is in the collection of the British Museum.\u003c\/p\u003e\n\u003cp\u003eThe print was made by William Heath and published by S W Fores and deals with questions of parliamentary reform and the Speaker's warrant for the commitment of Sir Francis Burdett.\u003c\/p\u003e\n\u003cp\u003eWilliam Heath was an early 19th-century caricaturist, known for his satirical cartoons. He made topical caricatures in the style of James Gillray, who was his biggest influence. Much like his contemporaries Thomas Rowlandson and George Cruikshank, Heath made many drawings lampooning politicians and fashions.\u003c\/p\u003e\n\u003cp\u003eThe image is entitled in full: A new game of shuttle cock as played by his majesty's servants for the amusement of John Bull.\u003c\/p\u003e\n\u003cp\u003eIt is lettered with the title, text within the image and publication line: \"Pub 22 Apl 1810 by Fores Picadilli\".\u003c\/p\u003e\n\u003cp\u003eHISTORY: Ministers and others strike at a shuttlecock above their heads inscribed 'Speakers Warrant'; among the feathers sits a little man holding a crowned staff; he says: \"Curse this game I don't Like it I never experienced Such boning about in my life, I wonder when you will have done\"; he is Colman the Serjeant-at-Arms. Eldon, in his Chancellor's wig and gown and holding the Purse of the Great Seal, is the centre of a close group; he says: \"Don't knock it here we have not power to Strike it\".\u003c\/p\u003e\n\u003cp\u003ePerceval, in back view, wears his Chancellor of the Exchequer's gown and holds a document inscribed 'Majority'; he says: \"Curse the thing I wish I had never Seen it away with it\". A second judge whose head is partly visible behind Eldon is probably Ellenborough. On the right is Gibbs, holding a paper inscribed 'Attorn[ey Gen]eral'. He says: \"D-n it Ill hit it as Hard as I can tho I'm almost afraid to meddle with it\".\u003c\/p\u003e\n\u003cp\u003eThere are two others in the group, one is silent, and the other resembles Canning (not in the Ministry); he says: \"Sure honey Right or wrong I always stick to the Strongest Side so do let me have a Slap at it\". The sturdiest striker stands in back view on the left, with a paper inscribed 'Read Bow Street' projecting from his pocket; he says: \"I can't Read it Die Veneris! why its Spanish to me we don't understand Them there warrants\".\u003c\/p\u003e\n\u003cp\u003eOn the extreme left stands the Speaker, Abbot, with a bat inscribed 'Double'; he says: \"Dont Strike it to me again I'll have nothing more to do with it I've sent it to Bow Street\".\u003c\/p\u003e\n\u003cp\u003eThe bats used are not the usual long-handled battledores, but short-handled wooden bats.\u003c\/p\u003e\n\u003cp\u003eAbove the design: 'NB The Feathers of the Shuttle Cock were pluked [sic] from a Sumersetshire Goose' . \u003c\/p\u003e\n\u003cp\u003eA very interesting Georgian, and indeed a rare one. It is in fine condition - on laid paper with etched lines and contemporary 19th-century watercolour hand colouring.\u003c\/p\u003e\n\u003cp\u003eImage size: 27 x 37 cm. Frame size: 42 x 55 cm.  \u003c\/p\u003e\n\u003cp\u003eMy asking price for this rare early work by Heath is a fair one. It will have to be posted only to the UK. The postage will be with Parcelforce24 and applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616767754304,"sku":"MUSSELBURGH","price":295.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/satire_26f87280-fa15-4c82-b332-0680a0bdb31f.png?v=1768598002"},{"product_id":"original-drypoint-etching-woodblock-print-by-elyse-ashe-lord-british-1900-1971-chinese-bird-on-a-branch-1930s","title":"ORIGINAL DRYPOINT Etching \/ Woodblock Print by Elyse Ashe Lord (British, 1900–1971). Chinese Bird on a Branch, 1930s","description":"\u003cp\u003eThis a beautiful large colour woodblock etching by Elyse Ashe-Lord (1900-1971) depicting a bird resting on a branch in foliage.\u003c\/p\u003e\n\u003cp\u003eThe etching is signed and inscribed in pencil by the artist, as photographed.\u003c\/p\u003e\n\u003cp\u003eIt comes from a series of delicate drypoint etchings of Chinese birds which were all made by Ashe-Lord in the 30s. She specialised in these delicate drypoint etchings, all delineated with a very fine line.\u003c\/p\u003e\n\u003cp\u003eThe artist developed her unique style exclusively around oriental subject matter, and her art was inspired by both Chinese art and various aspects of oriental culture.\u003c\/p\u003e\n\u003cp\u003eAlthough Lord never actually travelled to China, she used Chinese paintings, embroideries and wall hangings, together with objects from surrounding Eastern countries, as the inspiration for her exotic images.\u003c\/p\u003e\n\u003cp\u003eShe used a very individual technique with all her prints. She would draw the outline in drypoint etching which would from a \"key block\". The colours would then be added by using multiple wood blocks coated in vivid coloured inks. It was a difficult process to master and Elyse Lord would always supervise this difficult process of printing her plates and blocks, in person.\u003c\/p\u003e\n\u003cp\u003eElyse Ashe-Lord exhibited from 1915 through to 1939 with the celebrated Lefevre Gallery in London, and had her work published under the auspices of the great London dealer, Alexander Reid.\u003c\/p\u003e\n\u003cp\u003eAlthough the artist never actually travelled to China, she used Chinese paintings, embroideries and wall hangings, together with objects from surrounding Eastern countries, as the sources for her images. The highly individual style which Elyse Lord created reflects both this source material and the influences of Art Deco and early 1920’s fashion.\u003c\/p\u003e\n\u003cp\u003eThe etching is in lovely condition, and printed on a very fine Oriental paper much favoured by Lord. It is in excellent condition and all the applied colours are still nice and fresh.\u003c\/p\u003e\n\u003cp\u003eIt is number 45 out of an edition of only 75 prints, and although not dated by the artist, must date to around 1935. \u003c\/p\u003e\n\u003cp\u003eThe print is being sold unframed - but with a nice mount ready to for you to select a frame of your choice. It would certainly look very attractive on display in a house with lots of chinoserie textiles or ceramics. If you would like it framed with our professional framers - please ask about this service.\u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616768081984,"sku":"Sold for £195","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/lord.png?v=1768585006"},{"product_id":"satirical-print-original-tug-of-war-engraving-by-f-mansell-after-the-painting-by-harding-cox-1899","title":"SATIRICAL PRINT. Original Tug of War Engraving by F. Mansell after the painting by Harding Cox; 1899","description":"\u003cp\u003eThis is a rather rare antique satirical or political print - with all the Brexit arguments - it is perhaps never more appropriate to a modern audience.\u003c\/p\u003e\n\u003cp\u003eThe print is a very rare etching on copper made by the printmaker C.N. Downard - and taken from the oil painting \"Tug of War\" which was made by Harding Cox in 1885.\u003c\/p\u003e\n\u003cp\u003eI am not sure of the narrative of the print - but I think that the tug of war relates to the acquisition of African colonies at the end of the 19th century.\u003c\/p\u003e\n\u003cp\u003eThe image features dog representing European nations - we have:\u003c\/p\u003e\n\u003cp\u003eTwo skinny Frenchmen (as poodles) and one Portuguese hound on one side of the tug rope and on the other is one jolly Englishman (or bulldog) - who is licking or beating all three!\u003c\/p\u003e\n\u003cp\u003eFrame size: 27 x 51 cm. Image size: 15 x 41 cm.  \u003c\/p\u003e\n\u003cp\u003eThis original antique etching is in fabulous condition (a couple of light and tiny brown foxing spots near the middle but not disfiguring and commensurate with age). Please use the zoom facility to look at my photographs in close-up.\u003c\/p\u003e\n\u003cp\u003eAs you can see in my photographs - it is very nicely presented with a new clean window mount and a new simple black frame - it is all ready just to hang on your wall.\u003c\/p\u003e\n\u003cp\u003eEtched prints after Cox's painting are now hard to find - and the condition and the rarity are reflected in my asking price. There seem to be a few later coloured re-strikes on the market at the moment. There appears to be hardly any of these original 1885 Downard etchings for sale.  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMy price is certainly a fair one for this interesting historical illustration.\u003c\/p\u003e\n\u003cp\u003ePostage will be with Royal Mail Tracked and Signed \/ Parcelforce24. This will be applied to your order at checkout. It will also be a fully insured service against loss or damage in transit.  \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616768278592,"sku":"MUSSELBURGH","price":320.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/tug.png?v=1768585856"},{"product_id":"original-etching-by-george-soper-1870-1942-the-quarry-team-published-1922-signed-in-pencil","title":"Original Etching by GEORGE SOPER (1870 - 1942). The Quarry Team. Published 1922. Signed in Pencil","description":"\u003cp\u003eThis one of three very fine etchings and drypoints currently on offer in my \u003cspan\u003eIconic Edinburgh Online \u003c\/span\u003eshop - all of them show images of heavy horses at work.\u003c\/p\u003e\n\u003cp\u003eThis one dates to 1922 - and is entitled: The Quarry Team.\u003c\/p\u003e\n\u003cp\u003eIt shows three workhorses pulling a cart with a large masonry slab, back from the Quarry. It is hard work and the carter urges the horses on with their heavy load. You can almost feel them struggling up the hill.\u003c\/p\u003e\n\u003cp\u003eYou can certainly see Soper's love of horses in his artworks - they are often sketched from life and on the spot. His depiction of working horses is perhaps the most complete and accomplished record of the life of these heavy horses ever made. \u003c\/p\u003e\n\u003cp\u003eGeorge Soper was an expert printmaker and conservationist. He gained most recognition during his lifetime as an etcher, and later as a wood engraver. Over a career spanning three decades, he produced more than 500 fine prints.\u003c\/p\u003e\n\u003cp\u003eBoth the British Museum and the Victoria \u0026amp; Albert Museum, London, include examples of his etchings in their collections.\u003c\/p\u003e\n\u003cp\u003eThis lovely print is in fabulous condition with nice dark lines and lots of velvety drypoint still present.\u003c\/p\u003e\n\u003cp\u003eThe sheet has not been laid down and the etching has been given a fresh clean mount and new frame - so that you can hang it straight on your wall.\u003c\/p\u003e\n\u003cp\u003eFrame size: 36.5 x 44 cm.  \u003c\/p\u003e\n\u003cp\u003eThere are no condition issues with the etching - and as nice an impression as you might hope to find. A fair asking price for this nicely presented pencil-signed fine-art impression. \u003c\/p\u003e\n\u003cp\u003ePostage with be Parcelforce24 \/ Royal Mail Tracked and Signed For (carefully packed and fully insured in transit). This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616768311360,"sku":"MUSSELBURGH","price":275.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/horses3.png?v=1768584287"},{"product_id":"original-etching-by-george-soper-1870-1942-carting-seaweed-1920s-signed-in-pencil","title":"Original Etching by GEORGE SOPER (1870 - 1942). Carting Seaweed, 1920s. Signed in Pencil","description":"\u003cp\u003eThis one of three very fine etchings and drypoints currently on offer in my \u003cspan\u003eIconic Edinburgh online \u003c\/span\u003eshop - all of them show images of heavy horses at work.\u003c\/p\u003e\n\u003cp\u003eThis one is entitled: Carting Seaweed. It shows a cart completely loaded up with seaweed. Brrr. it looks very cold and bleak - the seaweed gatherer tucks himself down against the elements and wraps a little cloak around his shoulders.\u003c\/p\u003e\n\u003cp\u003eThe seashore is covered with water and in the background are choppy waves - it is certainly a very blustery day and Soper adds streaks of drypoint to the right-hand side of the image to suggest heavy rains sweeping across the beach. The heroic cart-horse continues on drawing his heavy load behind him.\u003c\/p\u003e\n\u003cp\u003eYou can certainly see Soper's love of horses in his artworks - they are often sketched from life and on the spot. His depiction of working horses is perhaps the most complete and accomplished record of the life of these heavy horses ever made.   \u003c\/p\u003e\n\u003cp\u003eGeorge Soper was an expert printmaker and conservationist. He gained most recognition during his lifetime as an etcher, and later as a wood engraver. Over a career spanning three decades, he produced more than 500 fine prints.\u003c\/p\u003e\n\u003cp\u003eBoth the British Museum and the Victoria \u0026amp; Albert Museum, London, include examples of his etchings in their collections.\u003c\/p\u003e\n\u003cp\u003eThis lovely print is in fabulous condition with nice dark lines and lots of velvety drypoint still present.\u003c\/p\u003e\n\u003cp\u003eDimensions: Platemark is 20 x 25 cm. \u003cspan data-mce-fragment=\"1\"\u003eFrame size: 36 x 38.5 cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe sheet has not been laid down (as photographed) and the etching has before sale been given a fresh clean mount and new simple black frame - so that you can hang it straight on your wall.\u003c\/p\u003e\n\u003cp\u003eThere are no condition issues with the etching - and as nice an impression as you might hope to find.  \u003cspan style=\"font-size: 0.875rem;\"\u003eA fair asking price for this nicely presented pencil-signed fine-art impression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePostage with be Parcelforce24 \/ Royal Mail Tracked and Signed service (carefully packed and fully insured in transit). This will be applied to your order at the checkout.  \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616768376896,"sku":"MUSSELBURGH","price":275.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/horses2.png?v=1768582258"},{"product_id":"original-etching-by-george-soper-1870-1942-harrowing-1919-signed-in-pencil","title":"Original Etching by GEORGE SOPER (1870 - 1942). Harrowing, 1919. Signed in Pencil","description":"\u003cp\u003eThis one of three very fine etchings and drypoints currently on offer in my \u003cspan\u003eIconic Edinburgh Online store\u003c\/span\u003e - all of them show images of heavy horses at work.\u003c\/p\u003e\n\u003cp\u003eThis one is entitled: Harrowing. It is a farming scene and shows a pair of heavy farm horses attached to a harrow. A young boy is seen to the front holding a little whip and guiding the horses in the correct direction - and to the back an older woman - probably his mother, checking that the harrow is running correctly.\u003c\/p\u003e\n\u003cp\u003eDimensions: image 14 x 24.5 cm. Frame size: 30 x 37 cm\u003c\/p\u003e\n\u003cp\u003eYou can certainly see Soper's love of horses in his artworks - they are often sketched from life and on the spot. His depiction of working horses is perhaps the most complete and accomplished record of the life of these heavy horses ever made.\u003c\/p\u003e\n\u003cp\u003eGeorge Soper was an expert printmaker and conservationist. He gained most recognition during his lifetime as an etcher, and later as a wood engraver. Over a career spanning three decades, he produced more than 500 fine prints.\u003c\/p\u003e\n\u003cp\u003eBoth the British Museum and the Victoria \u0026amp; Albert Museum, London, include examples of his etchings in their collections.\u003c\/p\u003e\n\u003cp\u003eThe sheet has not been laid down (as photographed) and the etching has been given a fresh clean mount and new frame. You can hang it straight on your wall.\u003c\/p\u003e\n\u003cp\u003eThere are no condition issues with the etching - and as nice an impression as you might hope to find.\u003c\/p\u003e\n\u003cp\u003eA fair asking price for this nicely presented pencil-signed fine-art impression.\u003c\/p\u003e\n\u003cp\u003ePostage with be Parcelforce24 \/ Royal Mail Tracked and Signed (carefully packed and fully insured in transit). This will be applied to your order at the checkout.  \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616768737344,"sku":"MUSSELBURGH","price":275.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/horses1.png?v=1768580620"},{"product_id":"scottish-art-1930s-original-etching-by-marion-harvey-1886-1971-study-of-a-cairn-terrier-called-sandy","title":"SCOTTISH ART: 1930s ORIGINAL Etching by Marion Harvey (1886 - 1971). Study of  a Cairn Terrier called Sandy","description":"\u003cp\u003eThis is a cute little study of a cairn terrier by the artist, Marion Harvey (1886 - 1971).\u003c\/p\u003e\n\u003cp\u003eIt is an original etching of a terrier called Sandy. It has a nice platemark which measures 20 x 15 cm.  The print is signed in pencil, lower left, and inscribed in pen, lower right: Sandy\u003c\/p\u003e\n\u003cp\u003eMarion Harvey was born in Ayr in 1886. She was an accomplished Scottish artist, who specialized in the portraiture of dogs and horses. Harvey was good friends with Edward Hornel, E.A. Taylor and Jessie M. King, who together became known as the \"Close Coterie\".\u003c\/p\u003e\n\u003cp\u003eShe was a regular exhibitor at the Royal Scottish Academy, Edinburgh; the Glasgow Institute and at the Walker Art Gallery in Liverpool.\u003c\/p\u003e\n\u003cp\u003eHarvey excelled at making these charming images of little terrier dogs - this etching and dry-point of a cute Cairn Terrier dates from around the 1930s. She has certainly caught the very concentrated stare of a little Cairn as he waits attentively for his dinner bowl to be filled - Basil certainly looks at me this way every time I go anywhere near his doggie treats in the kitchen!\u003c\/p\u003e\n\u003cp\u003eThis etching is in very nice condition and comes with its original frame, although it would probably benefit from a new mount - but ready to hang on your wall.  \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616772702272,"sku":"£165. Reduced to £145","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/cairn.png?v=1768558979"},{"product_id":"listed-artist-george-soper-1870-1942-original-1920s-etching-of-two-west-highland-terriers-signed-in-pencil","title":"LISTED ARTIST. George Soper (1870 - 1942). Original 1920s Etching of Two West Highland Terriers. Signed in pencil","description":"\u003cp\u003eThis is a wonderful etching by the celebrated artist, George Soper (1870 - 1942)\u003c\/p\u003e\n\u003cp\u003eIt is a fine etching with lots of drypoint details - and depicts two darling little white West Highland Terriers. The print is pencil signed by the artist - and dates to around 1925.\u003c\/p\u003e\n\u003cp\u003eGeorge Soper was an expert printmaker and gained most recognition during his lifetime as an etcher, and later as a wood engraver.\u003c\/p\u003e\n\u003cp\u003eOver a career spanning three decades, he produced more than 500 prints. Both the British Museum and the Victoria \u0026amp; Albert Museum, London, include examples of his etchings in their collections.\u003c\/p\u003e\n\u003cp\u003eImages of dogs are relatively rare in his work.\u003c\/p\u003e\n\u003cp\u003eThe original pencil-signed etching is in good condition and nicely framed for display. \u003c\/p\u003e\n\u003cp\u003eUK Postage will be with Royal Mail Tracked and Signed service. This will be a fully insured service and will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616772866112,"sku":"MUSSELBURGH OUTSIDE","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/Westie.png?v=1768558429"},{"product_id":"georgian-hand-coloured-engraving-c-1805-published-by-william-fowler-manton-church-lincolnshire-rare-medieval-stained-glass-window-print","title":"GEORGIAN Hand-Coloured Engraving; c 1805. Published by William Fowler. Manton Church, Lincolnshire. Rare Medieval Stained Glass Window Print","description":"\u003cp\u003eThis is one of three VERY RARE stained glass window engravings which are available in my \u003cspan\u003eIconic Edinburgh online \u003c\/span\u003estore - they date from the time of King George III - and given their age they are all in exceptional condition.\u003c\/p\u003e\n\u003cp\u003eI have included their history of them at the bottom of each of my descriptions: \u003c\/p\u003e\n\u003cp\u003eEach engraving has been printed with just the lines and as were most of the prints of this time - they were then coloured by hand - this print has its original watercolour finish which is very painterly. The colours are stunningly fresh. They were all published in about 1805 by William Fowler. They are very rare impressions and are all currently framed (as photographed).\u003c\/p\u003e\n\u003cp\u003eEach engraving is printed on heavy wove paper, and each is laid down onto a heavy card as originally issued.\u003c\/p\u003e\n\u003cp\u003eEach print is in good condition, commensurate with age.\u003c\/p\u003e\n\u003cp\u003eThis print shows a section of the North Window at Manton Church, Lincolnshire.\u003c\/p\u003e\n\u003cp\u003eThis one has lots of text below which reads:\u003c\/p\u003e\n\u003cp\u003e“A Female figure adorn’d with the Wings of an Eagle, in her right is a spear, in the left she holds a shield. Treading the red Dragon under her feet. Taken from the Ancient stain’d Glass in the North Window of Manton Church, Lincolnshire”.\u003c\/p\u003e\n\u003cp\u003eThe image is 21 cm x 17 cm. The frame is 51.5 x 42.5 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHISTORY:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLincolnshire-born, William Fowler ( 1761-1832) was an architect, builder and engraver. He is chiefly known for his antiquarian and architectural engravings, for which he received widespread patronage from scholars, the gentry and royalty.\u003c\/p\u003e\n\u003cp\u003eIn 1796 Fowler made a series of drawings of Roman pavements discovered at Winterton. These were widely admired and Fowler subsequently decided to take his studies to London, so that they could be engraved by his brother-in-law, Mr Hill. \u003c\/p\u003e\n\u003cp\u003eIn London, Fowler studied the process of copper-plate engraving, and in April 1799 brought out his own fine-coloured engraving of a Roman pavement at Roxby. From that time to 30 Jan. 1829, the date of his last engraving, he published three volumes. These contained a fine series of exceptional hand-coloured engravings – including twenty-five studies of decorative pavements, thirty-nine subjects from painted glass, five brasses and incised slabs, four fonts, and eight miscellaneous subjects. He also executed at least twenty-nine engravings, mostly of objects of antiquity, which were never published. \u003c\/p\u003e\n\u003cp\u003eThese fine prints are very much items for the specialist collector, similar impressions are in the British Museum, and in the collection of the Victoria \u0026amp; Albert Museum in London. \u003c\/p\u003e\n\u003cp\u003eThis lovely artwork would be very carefully packed and sent to you with Parcelforce24. This would be applied to your order at the checkout. It would be a fully insured service.  FREE DELIVERY IN THE EDINBURGH AREA\u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616824836160,"sku":"?loft or is it Muselburgh now","price":365.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/window.png?v=1768600094"},{"product_id":"georgian-hand-coloured-engraving-c-1805-published-by-william-fowler-st-mary-s-shrewsbury-rare-medieval-stained-glass-window-print","title":"GEORGIAN Hand-Coloured Engraving; c 1805. Published by William Fowler. St Mary’s Shrewsbury. Rare Medieval Stained Glass Window Print","description":"\u003cp\u003eThis is one of three VERY RARE stained glass window engravings which are available in my \u003cspan\u003eIconic Edinburgh online \u003c\/span\u003estore - they date from the time of King George III - and given their age they are all in exceptional condition.\u003c\/p\u003e\n\u003cp\u003eI have included the history of them at the bottom of each of my descriptions:\u003c\/p\u003e\n\u003cp\u003eEach engraving has been printed with just the lines and as were most of the prints of this time - they were then coloured by hand - this print has its original watercolour finish which is very painterly. The colours are stunningly fresh. They were all published in about 1805 by William Fowler. They are very rare impressions and are all currently framed (as photographed). \u003c\/p\u003e\n\u003cp\u003eEach engraving is printed on heavy wove paper, and each is laid down onto a heavy card as originally issued.\u003c\/p\u003e\n\u003cp\u003eEach print is in good condition, commensurate with age.\u003c\/p\u003e\n\u003cp\u003eThis print shows a section of the East Window at St Mary’s Shrewsbury.\u003c\/p\u003e\n\u003cp\u003eThis one has lots of text below which reads:\u003c\/p\u003e\n\u003cp\u003eJESSE the Father of DAVID King of Israel \/ From an original Design (executed in ancient stained glass) in the East Window of St Mary’s Shrewsbury. Published 8 Sept 1802 by W. Fowler, Winterton\u003c\/p\u003e\n\u003cp\u003eThe image is 32.5 cm x 61.6 cm. The frame is 57 x 85 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHISTORY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLincolnshire-born, William Fowler ( 1761-1832) was an architect, builder and engraver. He is chiefly known for his antiquarian and architectural engravings, for which he received widespread patronage from scholars, the gentry and royalty.\u003c\/p\u003e\n\u003cp\u003eIn 1796 Fowler made a series of drawings of Roman pavements discovered at Winterton. These were widely admired and Fowler subsequently decided to take his studies to London, so that they could be engraved by his brother-in-law, Mr Hill.\u003c\/p\u003e\n\u003cp\u003eIn London, Fowler studied the process of copper-plate engraving, and in April 1799 brought out his own fine-coloured engraving of a Roman pavement at Roxby. From that time to 30 Jan. 1829, the date of his last engraving, he published three volumes. These contained a fine series of exceptional hand-coloured engravings – including twenty-five studies of decorative pavements, thirty-nine subjects from painted glass, five brasses and incised slabs, four fonts, and eight miscellaneous subjects. He also executed at least twenty-nine engravings, mostly of objects of antiquity, which were never published.\u003c\/p\u003e\n\u003cp\u003eThese fine prints are very much items for the specialist collector, similar impressions are in the British Museum, and in the collection of the Victoria \u0026amp; Albert Museum in London.\u003c\/p\u003e\n\u003cp\u003eDue to the very large size and weight of this work - plus the insurance - it is going to cost £25 to post to you - this will be applied to your order at the checkout.  \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616825557056,"sku":"MUSSELBURGH","price":545.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/WINDOW2.png?v=1768601491"},{"product_id":"georgian-hand-coloured-engraving-c-1805-published-by-william-fowler-york-cathedral-rare-medieval-stained-glass-window-print","title":"GEORGIAN Hand-Coloured Engraving; c 1805. Published by William Fowler. York Cathedral. Rare Medieval Stained Glass Window Print","description":"\u003cp\u003eThis is one of three VERY RARE stained glass window engravings which are available in my \u003cspan\u003eIconic Edinburgh online \u003c\/span\u003estore - they date from the time of King George III - and given their age they are all in exceptional condition.\u003c\/p\u003e\n\u003cp\u003eI have included the history of them at the bottom of each of my descriptions:\u003c\/p\u003e\n\u003cp\u003eEach engraving has been printed with just the lines and as were most of the prints of this time - they were then coloured by hand - this print has its original watercolour finish which is very painterly. The colours are stunningly fresh. They were all published in about 1805 by William Fowler. They are very rare impressions and all currently framed (as photographed).\u003c\/p\u003e\n\u003cp\u003eEach engraving is printed on heavy wove paper, and each is laid down onto a heavy card as originally issued.\u003c\/p\u003e\n\u003cp\u003eEach print is in good condition, commensurate with age.\u003c\/p\u003e\n\u003cp\u003eThis print shows a section of the East Window at York Cathedral\u003c\/p\u003e\n\u003cp\u003eThis one has lots of text below which reads:\u003c\/p\u003e\n\u003cp\u003eThe first Angel poured out his Vial upon the Earth. REV: 16th Verse 2d \/ Drawn and Coloured from the Glass in the East Window of the Cathedral in York. \/ The whole Window contains 117 partitions each 2ft 10 in. Square (exclusive of the \/ Tracery in the upper part). \u0026amp; Is adorned with various descriptive Pieces from \/ Sacred and Profane History - Painted \/ by John Thornton Anno 405\/\/ Published July 5th 1804 by W. Fowler, Winterton, Lincolnshire.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHISTORY: \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLincolnshire-born, William Fowler ( 1761-1832) was an architect, builder and engraver. He is chiefly known for his antiquarian and architectural engravings, for which he received widespread patronage from scholars, the gentry and royalty.\u003c\/p\u003e\n\u003cp\u003eIn 1796 Fowler made a series of drawings of Roman pavements discovered at Winterton. These were widely admired and Fowler subsequently decided to take his studies to London, so that they could be engraved by his brother-in-law, Mr Hill.\u003c\/p\u003e\n\u003cp\u003eIn London, Fowler studied the process of copper-plate engraving, and in April 1799 brought out his own fine-coloured engraving of a Roman pavement at Roxby. From that time to 30 Jan. 1829, the date of his last engraving, he published three volumes. These contained a fine series of exceptional hand-coloured engravings – including twenty-five studies of decorative pavements, thirty-nine subjects from painted glass, five brasses and incised slabs, four fonts, and eight miscellaneous subjects. He also executed at least twenty-nine engravings, mostly of objects of antiquity, which were never published.\u003c\/p\u003e\n\u003cp\u003eThese fine prints are very much items for the specialist collector, similar impressions are in the British Museum, and in the collection of the Victoria \u0026amp; Albert Museum in London.\u003c\/p\u003e\n\u003cp\u003eThe framed artwork would be sold with Parcelforce24. This will be a fully insured service and applied to your order at the checkout. The price is takes into account the size and weight of the artwork. This will be applied to your order at the checkout. FREE DELIVERY IN THE EDINBURGH AREA.   \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616827064384,"sku":"MUSSELBURGH","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/WINDOW1.png?v=1768600830"},{"product_id":"scottish-art-kate-cameron-1874-1965-beautiful-original-watercolour-still-life-featuring-blue-daisies-in-a-vase-signed","title":"SCOTTISH ART: Kate Cameron (1874- 1965). Beautiful Original Watercolour. Still Life Featuring Blue Daisies in a Vase. SIGNED","description":"\u003cp\u003eKate (Katharine) Cameron was an accomplished Scottish flower and landscape painter, as well as being a talented etcher. She was born in Hillhead, Glasgow and was the sister of the celebrated printmaker, Sir DY Cameron. She studied at Glasgow School of Art from 1890 until 1893, under the innovative directorship of Fra Newbery. and subsequently at Colarossi's in Paris with Gustave Courtois.   \u003c\/p\u003e\n\u003cp\u003eHer early watercolours were influenced by the Glasgow Symbolists, although they are often less stylized - and always most carefully observed and full of exquisite detail.\u003c\/p\u003e\n\u003cp\u003eBetween 1904 and 1910 she illustrated a number of children's fairy tales and legends, but her real love remained flower painting. In 1928 she married Arthur Kay, the art collector and connoisseur.\u003c\/p\u003e\n\u003cp\u003eCameron was a prominent member of the Glasgow Society of Lady Artists and exhibited regularly both at home and abroad. Examples of her works are in the V\u0026amp;A, and the British Museum, London, as well as in Glasgow Art Gallery. \u003c\/p\u003e\n\u003cp\u003eThis is a fabulous and very sensitive botanical watercolour by Cameron. It is one of two of her flower paintings that I have for sale in my \u003cspan\u003eIconic Edinburgh online \u003c\/span\u003estore.\u003c\/p\u003e\n\u003cp\u003eThis fine floral study features a grey tubular vase full of blue daisies with dark viridian leaves below the flower heads. The darker palette in this floral study is a more unusual one for Cameron - and it certainly creates a more moody atmosphere. The structure and colour of the arrangement of blue flowers is certainly carefully observed - and her love of flowers is evident.\u003c\/p\u003e\n\u003cp\u003eIt is signed in watercolour, lower left: K. Cameron, as photographed. It is not dated so probably dates to around the 1890s or early 20th century.\u003c\/p\u003e\n\u003cp\u003eThis watercolour painting is in fantastic condition - with no fading or condition issues of any kind. It is in a fine wooden frame that picks out colours found in the painting. It also has a clean, decorative mount with a grey wash border. The painting looks just super and is all ready to hang straight on your wall.\u003c\/p\u003e\n\u003cp\u003eApologies for any reflections in my images - the picture was photographed through the glass and it was a bit tricky to take images for inclusion on my listing. The background tone is quite a dark grey - and perhaps a bit darker than in a couple of my images.\u003c\/p\u003e\n\u003cp\u003eDimensions: Frame size is 46.5 x 38 cm. The image size is 24.5 x 17 cm\u003c\/p\u003e\n\u003cp\u003eSuch fine works by Cameron are keenly sought after - this is reflected in my asking price.\u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616830079040,"sku":"Sold for £1450 Discounted from £1600","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/products\/download_1_d5864c51-d22f-4940-a12d-bd77c981d287.png?v=1767462455"},{"product_id":"scottish-art-art-nouveau-watercolour-painting-of-a-masked-ball-at-the-venice-carnival-signed-with-monogram","title":"SCOTTISH ART: Art Nouveau Watercolour Painting of a Masked Ball at the Venice Carnival. Signed with monogram","description":"\u003cp\u003eThis beautiful little early 20th Century watercolour is simply charming.\u003c\/p\u003e\n\u003cp\u003eIt is very art nouveau in style and on stylistic grounds I am dating it to around the 1920s.\u003c\/p\u003e\n\u003cp\u003eIt is signed in monogram lower left, JH (sadly I have as yet been unable to identify the artist - but he is certainly most competent and of good professional standing). The monogram is rather like a Japanese seal and is similar to monograms used by artists in the early 20th century.\u003c\/p\u003e\n\u003cp\u003eThe style and theme are very similar to sought after pochoir prints by the French artist, George Barbier (1882 - 1932). \u003c\/p\u003e\n\u003cp\u003eThe watercolour is very delicate and painted with subtle pastel shades, with fine blue pen under-drawing. \u003c\/p\u003e\n\u003cp\u003eThe scene shows a masked ball taking place during the Venetian Carnival (Carnevale di Venezia) - an annual festival celebrating the end of Lent. The festival is famed for its elaborate masks.\u003c\/p\u003e\n\u003cp\u003eIn my pretty watercolour, you can see a masked ball taking place. To the right foreground is a couple dancing - the gentleman leans towards his partner with amorous intent. In the mid-distance are another couple - dressed in 18th-century court costume. Above is a mezzanine floor with more couples in colourful fancy dress - I love the little harlequin to the right-hand side. Above, in the gallery space and seated behind a balcony are the musicians.\u003c\/p\u003e\n\u003cp\u003eThe colours are lovely and fresh - and the watercolour is in good condition. There is a little repair to the left-hand edge on the mezzanine and another just to the feet of the lady in the foreground. Both are minor issues and only noticeable on close inspection.\u003c\/p\u003e\n\u003cp\u003eThe watercolour painting is beautifully presented for sale - with a nice cream-coloured museum-quality window mount and a simple pale coloured wooden frame - with lighter wood shades to fit in with the delicacy of the picture. It is fresh to the market, clean and ready for you to just hang on your wall. \u003c\/p\u003e\n\u003cp\u003eThe image measures: 30.5 x 22.5 cm. The frame is 43 x 33 cm.\u003c\/p\u003e\n\u003cp\u003eHope that my images do this charming work justice - it was a wee bit tricky to photograph through the glass. \u003c\/p\u003e\n\u003cp\u003eOh! and if anyone recognizes the entwined JH monogram - I would love some feedback on it.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt will be sent to you with Parcelforce 24 \/ Royal Mail Tracked postage. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616830603328,"sku":"MUSSELBURGH","price":295.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/venice.png?v=1767462395"},{"product_id":"scottish-art-edward-gage-original-pencil-signed-colour-lithograph-queen-of-the-birds","title":"SCOTTISH ART. Edward Gage. Original Pencil Signed Colour Lithograph: Queen of the Birds","description":"\u003cp\u003eThis is a stunning mid-century colour lithograph by the celebrated Scottish artist, Edward Gage (1925 - 2000).\u003c\/p\u003e\n\u003cp\u003eHe was widely known in Scotland as an artist, and also worked as an art critic for \"The Scotsman\" newspaper. Gage also produced illustrations for a number of publications, including the \"Radio Times\".\u003c\/p\u003e\n\u003cp\u003eHe was born in Gullane, East Lothian in 1925 and studied at Edinburgh College of Art.\u003c\/p\u003e\n\u003cp\u003eSadly, his artistic was cut short for a time, when he joined the Scots Guards in 1941 and then in the Royal Scots Regiment. He served as a staff officer in India and Malaya from 1945 - 1947.\u003c\/p\u003e\n\u003cp\u003eHe returned to Edinburgh to complete his studies and in 1950 was awarded a travelling scholarship to Mallorca, Spain - where he befriended the poet, Robert Graves.\u003c\/p\u003e\n\u003cp\u003eGage had ten one-man exhibitions between 1964 and 1986, besides contributing paintings to group exhibitions in Edinburgh, London and elsewhere. \u003c\/p\u003e\n\u003cp\u003eHe taught at Fettes College, Napri College and at Edinburgh College of Art.\u003c\/p\u003e\n\u003cp\u003eFrom 1960 to 1964 he was President of the Scottish Society of Artists - and in 1992 he was made an MBE for services to Scottish Art.\u003c\/p\u003e\n\u003cp\u003eHe died in 2000, aged 74.\u003c\/p\u003e\n\u003cp\u003eExamples of this work are in the National Galleries of Scotland (12 works) and the collection of the City of Edinburgh Council.\u003c\/p\u003e\n\u003cp\u003eThis is a very stylish colour lithograph by Gage which would look fantastic framed and on display in a mid-century interior.\u003c\/p\u003e\n\u003cp\u003eIt is entitled Queen of Birds - and comes from a very small limited edition of only 38 works.\u003c\/p\u003e\n\u003cp\u003eIt is pencil signed and editioned along the bottom margin of the print - but it is not dated. On stylistic evidence, it must date to the early to mid-1950s. It is very Festival of Britain in feel and style.\u003c\/p\u003e\n\u003cp\u003eThis original lithograph shows a solidly formed lady with long flowing hair - she is surrounded by a variety of birds. The title of this work is Queen of the Birds. \u003c\/p\u003e\n\u003cp\u003eIt measures 59.5cm x 44.5cm.\u003c\/p\u003e\n\u003cp\u003eIt is being sold UNFRAMED, and on offer for a very fair price - for this interesting Scottish artist.\u003c\/p\u003e\n\u003cp\u003eThere is currently a growing interest in Scottish artists of the Edinburgh School working in the 1940s - 70s, and Edward Gage is certainly an artist and name to conjure with - and there is at present a much-renewed interest in his work in the salerooms and market.\u003c\/p\u003e\n\u003cp\u003eThis fine print by Gage is on offer with Iconic Edinburgh at an exceptionally fair price. \u003c\/p\u003e\n\u003cp\u003eThe artwork will be very carefully packed and sent with Royal Mail or Parcelforce24 serivce. It will be a fully insured service. This will be applied at checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616831291456,"sku":"Have two: Plan Chest Drawer II","price":725.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/gage.png?v=1768599116"},{"product_id":"edward-gage-listed-scottish-artist-large-signed-pen-and-ink-drawing-madonna-and-child-gloria-in-excelsis-deo","title":"EDWARD GAGE. Listed Scottish Artist. LARGE Signed Pen and Ink Drawing. Madonna and Child: Gloria In Excelsis Deo","description":"\u003cp\u003eThis is a beautiful original pen and ink drawing by the celebrated Scottish artist, Edward Gage (1925 - 2000).\u003c\/p\u003e\n\u003cp\u003eHe was widely known in Scotland as an artist, and also worked as an art critic for \"The Scotsman\" newspaper. Gage also produced illustrations for a number of publications, including the \"Radio Times\".\u003c\/p\u003e\n\u003cp\u003eHe was born in Gullane, East Lothian in 1925 and studied at Edinburgh College of Art.\u003c\/p\u003e\n\u003cp\u003eSadly, his artistic career was cut short for a time, when he joined the Scots Guards in 1941 and then in the Royal Scots Regiment. He served as a staff officer in India and Malaya from 1945 - 1947.\u003c\/p\u003e\n\u003cp\u003eHe returned to Edinburgh to complete his studies and in 1950 was awarded a travelling scholarship to Mallorca, Spain - where he befriended the poet, Robert Graves. \u003c\/p\u003e\n\u003cp\u003eGage had ten one-man exhibitions between 1964 and 1986, besides contributing paintings to group exhibitions in Edinburgh, London, and elsewhere.\u003c\/p\u003e\n\u003cp\u003eHe taught at Fettes College, Napri College, and at Edinburgh College of Art.\u003c\/p\u003e\n\u003cp\u003eFrom 1960 to 1964 he was President of the Scottish Society of Artists - and in 1992 he was made an MBE for services to Scottish Art.\u003c\/p\u003e\n\u003cp\u003eHe died in 2000, aged 74.\u003c\/p\u003e\n\u003cp\u003eExamples of this work are in the National Galleries of Scotland (12 works) and the collection of the City of Edinburgh Council.\u003c\/p\u003e\n\u003cp\u003eGage shared William Blake’s belief about art being a spiritual activity and Gage certainly had unwavering Christian faith. He was quiet in his faith, which often found expression in the tender, unsentimental drawings of the Madonna and Child with which, year by year, he adorned his Christmas cards.\u003c\/p\u003e\n\u003cp\u003eThis is a large-scale pen and ink drawing of a Madonna and Child - it is quite probably his initial sketch for one of his Christmas Cards.\u003c\/p\u003e\n\u003cp\u003eThis fine study is beautifully executed - with the Madonna and Baby Jesus, who are shown in an arch - with pillars below and to the side tall lit candles - it has the feel of being drawn in a Spanish church and might have been made on one of his many holidays to Spain. The work is entitled: Gloria in Excelsis Deo - the hymn where the angels announce in song the birth of Christ.\u003c\/p\u003e\n\u003cp\u003eIt is certainly a skilled drawing and Gage's attention to detail is impressive. This work is a bit rarer in his oeuvre as it is a large-scale study in pen and ink - Gage's preferred and more common medium was watercolour.\u003c\/p\u003e\n\u003cp\u003eIt is signed below, as photographed.\u003c\/p\u003e\n\u003cp\u003eImage: 34 x 46 cm; Frame size: 46.5 x 59 cm \u003c\/p\u003e\n\u003cp\u003eThe drawing is currently beautifully presented in a nice frame and ready to hang. Being a larger-sized work - and glazed - this pushes up the postage price - but if you live locally we could look at delivery or pick-up arrangements to save on postage.\u003c\/p\u003e\n\u003cp\u003eCondition: There is a little spotting to the sheet towards the bottle margin - but this is of a most minor nature and it is not distracting in any way - on a stylistic basis (it is not dated) it looks like it dates to around the 1960s. The sheet is generally nice and clean - and without major problems. \u003c\/p\u003e\n\u003cp\u003eMore photographs can be provided on request for serious interest.\u003c\/p\u003e\n\u003cp\u003eThere is currently a growing interest in Scottish artists of the Edinburgh School working in the 1940s - 70s, and Edward Gage is certainly an artist and name to conjure with - and there is at present a much-renewed interest in his work in the salerooms and market.\u003c\/p\u003e\n\u003cp\u003ePostage will be with Parcelforce24. This will be applied to your order at the checkout.\u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616832864320,"sku":"MUSSELBURGH","price":795.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/Gage1_e30cd59b-eeea-459b-994d-07b9c68f75a4.jpg?v=1767461946"},{"product_id":"edward-gage-listed-scottish-artist-watercolour-painting-over-pen-and-ink-the-hanson-cab-ii","title":"EDWARD GAGE. Listed Scottish Artist. Watercolour Painting \u0026 Pen and Ink: The Hanson Cab II","description":"\u003cp\u003eThis is another fine work in my \u003cspan\u003eI\u003c\/span\u003e\u003cspan\u003econic Edinburgh online\u003c\/span\u003e store by the celebrated Scottish artist, Edward Gage (1925 - 2000).\u003c\/p\u003e\n\u003cp\u003eHe was widely known in Scotland as an artist, and also worked as an art critic for \"The Scotsman\" newspaper. Gage also produced illustrations for a number of publications, including the \"Radio Times\".\u003c\/p\u003e\n\u003cp\u003eHe was born in Gullane, East Lothian in 1925 and studied at Edinburgh College of Art.\u003c\/p\u003e\n\u003cp\u003eSadly, his artistic career was cut short for a time, when he joined the Scots Guards in 1941 and then in the Royal Scots Regiment. He served as a staff officer in India and Malaya from 1945 - 1947.\u003c\/p\u003e\n\u003cp\u003eHe returned to Edinburgh to complete his studies and in 1950 was awarded a travelling scholarship to Mallorca, Spain - where he befriended the poet, Robert Graves.\u003c\/p\u003e\n\u003cp\u003eGage had ten one-man exhibitions between 1964 and 1986, besides contributing paintings to group exhibitions in Edinburgh, London, and elsewhere.\u003c\/p\u003e\n\u003cp\u003eHe taught at Fettes College, Napier College, and at Edinburgh College of Art.\u003c\/p\u003e\n\u003cp\u003eFrom 1960 to 1964 he was President of the Scottish Society of Artists - and in 1992 he was made an MBE for services to Scottish Art.\u003c\/p\u003e\n\u003cp\u003eHe died in 2000, aged 74.\u003c\/p\u003e\n\u003cp\u003eExamples of this work are in the National Galleries of Scotland (12 works) and the collection of the City of Edinburgh Council.\u003c\/p\u003e\n\u003cp\u003eThis is a sweet little original watercolour painting by him. The outlines are all drawn with pen and ink and the watercolour washes are applied loosely with a brush.\u003c\/p\u003e\n\u003cp\u003eIt is entitled The Hanson Cab II.\u003c\/p\u003e\n\u003cp\u003eIt is a smaller size work measuring 13 x 18 cm. The frame is a nice chunky oak wood one it measures 33.5 x 37.5\u003c\/p\u003e\n\u003cp\u003eIt shows a Christmas scene - a gentleman wearing a top hat has been out to collect a Christmas tree - he clutches onto it and sits in comfort in a horse-drawn cab on his way home. The hands of the carriage driver are seen holding the horse's reigns on the top of the cab and in front, the tail of the galloping horse is seen sweeping into the compositional from the left. In the background - you can see another Hanson cab on the opposite side of the road. The carriage zooms along - perhaps the occupant is racing to complete their Christmas shopping.\u003c\/p\u003e\n\u003cp\u003eThe little picture is full of Gage's style and dates to around the 1950s - to me it looks a little like an illustration for a book - the use of colours are very mid-century in feel. \u003c\/p\u003e\n\u003cp\u003eAs a small painted study - this sheet is unsigned. Full details on the attribution are on the old Open Eye Gallery label on the back - and showing that this had originally been part of an exhibition at this popular Edinburgh Scottish Art Gallery.\u003c\/p\u003e\n\u003cp\u003eIt is being sold with a deep wooden frame (as photographed) and is on offer for a very fair price - for this interesting Scottish artist. \u003c\/p\u003e\n\u003cp\u003eThere is currently a growing interest in Scottish artists of the Edinburgh School working in the 1940s - 70s, and Edward Gage is certainly an artist and name to conjure with - and there is at present a much-renewed interest in his work in the salerooms and market.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUK Postage will be with Parcelforce24 \/ Royal Mail Tracked. This will be applied to your order at the checkout.  \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616833159232,"sku":"MUSSELBURGH","price":320.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/products\/download_23_0f570e26-6102-4203-baa1-fa384905bd58.png?v=1767375873"},{"product_id":"scottish-art-edwin-alexander-1870-1926-sheet-of-watercolour-and-gouache-studies-of-a-white-dove","title":"SCOTTISH ART. Edwin Alexander (1870 - 1926). Sheet of Watercolour and Gouache Studies of a White Dove","description":"\u003cp\u003eEdwin John Alexander (1870–1926) was a Scottish artist best known for his fabulous watercolour pictures of animals and birds.\u003c\/p\u003e\n\u003cp\u003eHis father was the celebrated painter, Robert Alexander - whose painting \"Happy Mother\" a large oil is a favourite work with visitors to the National Gallery of Scotland in Edinburgh.\u003c\/p\u003e\n\u003cp\u003eIn the late 1880s, he accompanied his father and Joseph Crawhall on a trip to Tangiers. He returned to North Africa in the 1890s the lived for 4 years on a houseboat on the River Nile.\u003c\/p\u003e\n\u003cp\u003eEdwin Alexander returned to Scotland and lived until his death in Musselburgh - where he kept a menagerie of birds and animals which inspired his artworks.\u003c\/p\u003e\n\u003cp\u003eHe excelled at painting birds - and his master study in watercolour of a peacock is in the collection of the National Gallery of Scotland. Another peacock study by him is the collection of the Tate Gallery in London.\u003c\/p\u003e\n\u003cp\u003eThis work is a quick little watercolour sketch by him of three little doves. I also have a more finished study of a white dove by him in my store.  \u003c\/p\u003e\n\u003cp\u003eAgain - this sheet of studies is very reminiscent of similar ones by Crawhall.\u003c\/p\u003e\n\u003cp\u003eThis sheet of studies was probably made for the artist's own enjoyment and observation of birds in his garden at Musselburgh. In these, he is looking at the forms of a roosting white dove - who has its eyes closed, is puffed up and rests on one leg. He has made separate sketches of its head to the top of the sheet.\u003c\/p\u003e\n\u003cp\u003eThe sketch was actually exhibited at the Fine Art Society in New Bond Street London in July 1959 - it was No. 84 in the show. There is a label on the back with all these details.\u003c\/p\u003e\n\u003cp\u003eAlexander often produced his best work in watercolour, often the support was a toned sugar paper, linen or cardboard. The paper this study is painted on is quite rough in texture with buff flecks through it.\u003c\/p\u003e\n\u003cp\u003eAn especially fine, smaller-sized work by Edwin Alexander. It is sold as originally framed back in the 1950s. It is in good condition. \u003c\/p\u003e\n\u003cp\u003eDimensions: Frame size is 27 x 29.5 cm. The image size is 10.5 x 14.5 cm\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packed and sent to you with Parcelforce24 \/ Royal Mail Tracked post. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616833617984,"sku":"MUSSELBURGH WALL NEAR WINDOW","price":420.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/products\/il_fullxfull.2113773889_7zld.jpg?v=1767375564"},{"product_id":"scottish-art-sir-robin-philipson-1916-1992-study-of-a-ram-pen-ink-wash-on-paper-signed","title":"SCOTTISH ART: Sir Robin Philipson (1916 - 1992)  Study of a Ram.  Pen, ink \u0026 wash on paper. Signed","description":"\u003cp\u003eThis is a very rare, large pen and ink study by the celebrated Scottish artist, Sir Robin Philipson, and is stylistically reminiscent of studies of bulls made in the 1960s by Picasso.\u003c\/p\u003e\n\u003cp\u003eIt is drawn in pen, ink and wash on a large sheet of paper, and is framed ready to hang.\u003c\/p\u003e\n\u003cp\u003eImage size: 38 x 49 cm. Frame size: 58.5 x 69 cm\u003c\/p\u003e\n\u003cp\u003eRobin Philipson was a seminal figure in the history of twentieth-century Scottish painting. He was born in Broughton-in-Furness and moved to Scotland with his family when he was 14.\u003c\/p\u003e\n\u003cp\u003eHe was schooled at Dumfries Academy and then studied at Edinburgh College of Art from 1936 to 1940. \u003c\/p\u003e\n\u003cp\u003ePhilipson became a lecturer at the College of Art in 1947, later taking the post of Head of the Drawing and Painting Department from 1960 to 1982.\u003c\/p\u003e\n\u003cp\u003eHis early work was mainly of landscapes, still lifes, and interiors.\u003c\/p\u003e\n\u003cp\u003eHe was strongly influenced by William Gillies and John Maxwell, with whom, amongst others, he shared membership of the group known as The Edinburgh School.\u003c\/p\u003e\n\u003cp\u003ePhilipson was well-known for his bold use of colour and his liberal use of heavy impasto in his works.\u003c\/p\u003e\n\u003cp\u003eHe was appointed as President of the Royal Scottish Academy in 1973, a position he held until 1983.\u003c\/p\u003e\n\u003cp\u003eHe also received many honours during his career, including a knighthood in 1976 for his services to art in Scotland.\u003c\/p\u003e\n\u003cp\u003eThis large drawing is sold as framed. It will be sent to you with Parcelforce24. It will be carefully packed and sent with a tracked and fully insured service. This will be applied to your order at the checkout. FREE DELIVERY SERVICE IS AVAILABLE IN THE EDINBURGH AREA.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616834732096,"sku":"MUSSELBURGH","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/bull.png?v=1767461840"},{"product_id":"scottish-art-vintage-1970s-drawing-surreal-image-of-a-crane-in-fantastic-interior-by-listed-artist-peter-dworok-signed-and-dated-1976","title":"SCOTTISH ART: Vintage 1970s Drawing. SURREAL Image of a Crane in Fantastic Interior by Listed Artist Peter Dworok. Signed and dated 1976","description":"\u003cp\u003eThe artist of this work is Peter Dworok (b. 1950).\u003c\/p\u003e\n\u003cp\u003eHe was born in Nottingham and studied art at Nottingham College of Art and Design and then at Leeds Polytechnic Faculty of Art and Design.\u003c\/p\u003e\n\u003cp\u003eAfter leaving college Peter lived and worked on the Isle of Skye and later Edinburgh where he exhibited his work widely. On moving back to Nottinghamshire, Peter was employed by Nottinghamshire County Council helping to establish Rufford Craft Centre as a centre for excellence in the applied arts.\u003c\/p\u003e\n\u003cp\u003ePeter retired from his role at Rufford after working there for some 25 years and has recently moved to the beautiful Minster town of Southwell where he continues to paint and show his work.\u003c\/p\u003e\n\u003cp\u003eHis more recent works are stylistically very far removed from these early figurative sketches. Indeed, his recent paintings are more traditional works which often feature atmospheric Highland landscapes and scenes on the Isle of Skye. All his work continues to this day to show his interest in intricately rendered textured surfaces. They are highly sought after and fetch sums in the high hundreds when they come up for sale at his contemporary exhibitions.\u003c\/p\u003e\n\u003cp\u003eI have three early 1970s works by this listed artist in my \u003cspan\u003eIconic Edinburgh online \u003c\/span\u003e shop - they are all are rare early pen and ink drawings made by Dworok when he was living in Edinburgh in the 1970s.\u003c\/p\u003e\n\u003cp\u003eThey are all certainly very rare survivors from this period, and in themselves are all very interesting studies.\u003c\/p\u003e\n\u003cp\u003eEach of these finely executed pen and ink studies all have a dreamlike, surrealist quality to them - and are skilled works full of minute attention to detail - you certainly would not get bored of these lovely original drawings - and indeed, you might never be completely sure of what the artist is illustrating in these strange studies.\u003c\/p\u003e\n\u003cp\u003eThis very busy drawing shows a large Crane in a fantastic dreamlike interior. A very strange setting for this bird.\u003c\/p\u003e\n\u003cp\u003eIt is certainly a drawing of the early 1970s - and the large circle and geometric shapes remind me very much of advertising, illustrations and more especially logos used in marketing campaigns by the iconic fashion brand, Biba. I have no doubt that for his backgrounds, Dworok was looking at their graphics which look back to Art Deco and Holywood for inspiration.\u003c\/p\u003e\n\u003cp\u003eThis drawing interestingly dates from 1976 - just after the closure of the original Big Biba store in 1975.\u003c\/p\u003e\n\u003cp\u003eThis unusual drawing is framed and measures 31.5 x 22 cm. It is pen and black ink and signed along the bottom right hand edge and dated 1976, as photographed.\u003c\/p\u003e\n\u003cp\u003eIn good condition with no conservation issues - ready to hang on your wall. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616835223616,"sku":"Sold for £145","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/products\/il_fullxfull.1337237326_o4xl.jpg?v=1767374678"},{"product_id":"scottish-art-vintage-1970s-drawing-surreal-dreamlike-image-of-an-owl-and-field-mouse-by-listed-artist-peter-dworok-signed-and-dated-1975","title":"SCOTTISH ART: Vintage 1970s Drawing. SURREAL Dreamlike Image of an Owl and Field Mouse by Listed Artist Peter Dworok. Signed and dated 1975","description":"\u003cp\u003eThe artist of this work is Peter Dworok (b. 1950). \u003c\/p\u003e\n\u003cp\u003eHe was born in Nottingham and studied art at Nottingham College of Art and Design and then at Leeds Polytechnic Faculty of Art and Design.\u003c\/p\u003e\n\u003cp\u003eAfter leaving college Peter lived and worked on the Isle of Skye and later Edinburgh where he exhibited his work widely. On moving back to Nottinghamshire, Peter was employed by Nottinghamshire County Council helping to establish Rufford Craft Centre as a centre for excellence in the applied arts.\u003c\/p\u003e\n\u003cp\u003ePeter retired from his role at Rufford after working there for some 25 years and has recently moved to the beautiful Minster town of Southwell where he continues to paint and show his work.\u003c\/p\u003e\n\u003cp\u003eHis more recent works are stylistically very far removed from these early figurative sketches. Indeed, his recent paintings are more traditional works which often feature atmospheric Highland landscapes and scenes on the Isle of Skye. All his work continues to this day to show his interest in intricately rendered textured surfaces. They are highly sought after and fetch sums in the high hundreds when they come up for sale at his contemporary exhibitions.\u003c\/p\u003e\n\u003cp\u003eI have three early 1970s works by this listed artist in my \u003cspan\u003eIconic Edinburgh online \u003c\/span\u003e shop - they are all are rare early pen and ink drawings made by Dworok when he was living in Edinburgh in the 1970s.\u003c\/p\u003e\n\u003cp\u003eThey are all certainly very rare survivors from this period, and in themselves are all very interesting studies.\u003c\/p\u003e\n\u003cp\u003eEach of these finely executed pen and ink studies all have a dreamlike, surrealist quality to them - and are skilled works full of minute attention to detail - you certainly would not get bored of these lovely original drawings - and indeed, you might never be completely sure of what the artist is illustrating in these strange studies.\u003c\/p\u003e\n\u003cp\u003eThis very busy drawing shows an owl in flight - his wings are fully extended and Dworok has taken great delight in picking out all the details of his magnificent feathers. It is night and a large abstract moon is seen in the sky behind the owl. He is out on the prowl.. and after the little field mouse - who hides away in the bottom left-hand corner. In the distance is a beautiful landscape - which I think might be a scene on Skye.\u003c\/p\u003e\n\u003cp\u003eIt is certainly a drawing of the early 1970s - and the large circle and geometric shapes remind me very much of advertising, illustrations and more especially logos used in marketing campaigns by the iconic fashion brand, Biba. I have no doubt that for his background, Dworok was looking at their graphics which look back to Art Deco and Holywood for inspiration.\u003c\/p\u003e\n\u003cp\u003eThis drawing interestingly dates from just after the closure of the original Big Biba store in 1975.\u003c\/p\u003e\n\u003cp\u003eThis unusual drawing is framed and measures 31.5 x 22 cm.\u003c\/p\u003e\n\u003cp\u003eIt is pen and black ink and signed along the bottom right-hand edge and dated 1976, as photographed.\u003c\/p\u003e\n\u003cp\u003eIn good condition with no conservation issues - ready to hang on your wall. Any out of place white flashes etc on my photographs here are just reflections as I had to photograph the drawings through the glass - and it was a bit fiddly. But the drawing is just all fine and dandy.\u003c\/p\u003e\n\u003cp\u003eHAPPY TO POST INTERNATIONALLY, PLEASE ASK FOR A POSTAGE QUOTE OUTSIDE OF THE UK.\u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616835289152,"sku":"Sold for £155","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/products\/il_fullxfull.1337203144_njqa.jpg?v=1767374781"},{"product_id":"scottish-art-vintage-1970s-drawing-surreal-image-fantastic-interior-by-listed-artist-peter-dworok-signed-and-dated-1976","title":"SCOTTISH ART: Vintage 1970s Drawing. SURREAL Image Fantastic Interior by Listed Artist Peter Dworok. Signed and dated 1976","description":"\u003cp\u003eThe artist of this work is Peter Dworok (b. 1950).\u003c\/p\u003e\n\u003cp\u003eHe was born in Nottingham and studied art at Nottingham College of Art and Design and then at Leeds Polytechnic Faculty of Art and Design.\u003c\/p\u003e\n\u003cp\u003eAfter leaving college Peter lived and worked on the Isle of Skye and later Edinburgh where he exhibited his work widely. On moving back to Nottinghamshire, Peter was employed by Nottinghamshire County Council helping to establish Rufford Craft Centre as a center for excellence in the applied arts. \u003c\/p\u003e\n\u003cp\u003ePeter retired from his role at Rufford after working there for some 25 years and has recently moved to the beautiful Minster town of Southwell where he continues to paint and show his work.\u003c\/p\u003e\n\u003cp\u003eHis more recent works are stylistically very far removed from these early figurative sketches. Indeed, his recent paintings are more traditional works that often feature atmospheric Highland landscapes and scenes on the Isle of Skye. All his work continues to this day to show his interest in intricately rendered textured surfaces. They are highly sought after and fetch sums in the high hundreds when they come up for sale at his contemporary exhibitions.\u003c\/p\u003e\n\u003cp\u003eI have three early 1970s works by this listed artist in my \u003cspan\u003eIconic Edinburgh online \u003c\/span\u003eshop - they are all are rare early pen and ink drawings made by Dworok when he was living in Edinburgh in the 1970s.\u003c\/p\u003e\n\u003cp\u003eThey are all certainly very rare survivors from this period, and in themselves are all very interesting studies.\u003c\/p\u003e\n\u003cp\u003eEach of these finely executed pen and ink studies all have a dreamlike, surrealist quality to them - and are skilled works full of minute attention to detail - you certainly would not get bored of these lovely original drawings - and indeed, you might never be completely sure of what the artist is illustrating in these strange studies.\u003c\/p\u003e\n\u003cp\u003eSigned and dated 1976, as photographed.\u003c\/p\u003e\n\u003cp\u003eThe is the second, and largest, of four rare early works by Peter Dworok for sale at Iconic Edinburgh (only three left - one has been sold).\u003c\/p\u003e\n\u003cp\u003eThis is a rather strange dream-like image carefully delineated in pen and ink.\u003c\/p\u003e\n\u003cp\u003eIt was drawn by the artist when he was living in Edinburgh in the 1970s.\u003c\/p\u003e\n\u003cp\u003eIn good condition with no conservation issues. Please note that the drawing will be sold unframed. I have reduced the price to take this into account and to allow you to get a frame of your choosing.\u003c\/p\u003e\n\u003cp\u003ePostage to post to you with Parcelforce24. It will be a tracked and fully insured service. This will be applied at checkout.  \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616835518528,"sku":"REMOVED FOR FRAMING","price":155.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/dworck.png?v=1767460914"},{"product_id":"listed-artist-william-walcot-1874-1943-large-etching-entitled-the-atrium-to-a-house-of-a-patrician-rome-signed-in-pencil","title":"LISTED ARTIST: William Walcot (1874 - 1943). Large Etching entitled \"The Atrium to a House of a Patrician, Rome\". Signed in Pencil","description":"\u003cp\u003eThis is an interesting original large-scale etching and drypoint by the Scottish artist, William Walcot (1874 - 1943). It is amongst the largest prints ever produced by him.  \u003c\/p\u003e\n\u003cp\u003eThe print was published in 1915 and is titled \"The Atrium to a House of a Patrician, Rome\".\u003c\/p\u003e\n\u003cp\u003eThis is an imaginary image of a Great Hall of a Roman house. The subject was possibly inspired by Walcot’s visits to Pompeii.\u003c\/p\u003e\n\u003cp\u003ePlease also see my Walcot etching made at the same date featuring a large view of the Colosseum in Rome.\u003c\/p\u003e\n\u003cp\u003eIt is made using etching and drypoint - with touches of aquatint and is printed on a good quality heavy wove paper. \u003cspan data-mce-fragment=\"1\"\u003eIt was published by H.C Dickins, in an edition of 60.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt is faintly signed in pencil by the artist, lower right.  \u003c\/span\u003eIt measures 47.2 x 54.7 cm.  \u003c\/p\u003e\n\u003cp\u003eCONDITION. The etching has previously been framed. I have removed it from its old frame to check the sheet.\u003c\/p\u003e\n\u003cp\u003eIt is on nice thick paper and has not been laid down. There is a mark on the sheet where the old mount has been near to the margins of the image - and this could be covered by a new fresh acid-free window mount when getting re-framed. \u003c\/p\u003e\n\u003cp\u003eThere are time-tone marks on the back of the sheet - which I have photographed for your inspection. There is also a slightly disfiguring brown spot on the margin upper left - which would still be obvious when a new window mount was applied, again this is photographed. Please look at all my images carefully. \u003c\/p\u003e\n\u003cp\u003eThis has all been taken into account with my pricing. It is a stunning work - and will look just fabulous with a new window mount and all framed up for display.  \u003c\/p\u003e\n\u003cp\u003eIt is sold unframed. It will be sent in a large tube and insured in transit. It will be very, very carefully packed.  \u003c\/p\u003e\n\u003cp\u003eUK POSTING ONLY. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616836042816,"sku":"£475. Sold for £440 plus free postage","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/rome.png?v=1768657771"},{"product_id":"massive-original-1830s-hand-coloured-engraving-by-john-burnet-after-jmw-turner-entitled-the-bridgewater-seapiece-dutch-boats-in-a-gale","title":"MASSIVE Original 1830s Hand Coloured Engraving by John Burnet after JMW Turner. Entitled The Bridgewater Seapiece (Dutch Boats in a Gale)","description":"\u003cp\u003eThis is a rare and very fine large hand-coloured engraving by the Scottish painter and engraver John Burnet (1784 - 1868).\u003c\/p\u003e\n\u003cp\u003eHe was born in Musselburgh and was apprenticed to the engraver Robert Scott and later trained at the Trustees Academy in Ednburgh. He was a fellow pupil of Sir David Wilkie and Sir William Allan. He moved to London in 1806 and was appointed to engrave large scale prints after Wilkie - including his most notable work \"The Greenwich Pensioners'.\u003c\/p\u003e\n\u003cp\u003eBurnet was David Wilkie’s favourite reproductive engraver, but he also executed independent genre paintings including maritime and fishing subjects. His work was particularly popular and influential on Scottish art in the first half of the nineteenth century. Many works by Burnet are in the collection of the National Gallery of Scotland, as well as the British Museum and the Victoria and Albert Museum in London.  \u003c\/p\u003e\n\u003cp\u003eThis large exhibition-scale engraving is a splendid work copied by Burnet and commissioned after one of Turner's earliest seapiece paintings: Dutch Boards in a Gail (also known as the Bridgewater Seapiece) which was painted in 1801. It was exhibited in this year at the Royal Academy and its great success resulted in him being elected as Royal Academician the following year.  \u003c\/p\u003e\n\u003cp\u003eTurner's magnificent painting shows Dutch boats which are on course for collision in stormy weather. The dark clouds contribute to the sense of danger. The painting was commissioned by the 3rd Duke of Bridgewater as a companion piece to a 17th-century Dutch seascape in his possession. It is currently on loan from a private collection and on display in the National Gallery, London.\u003c\/p\u003e\n\u003cp\u003eThis is a really huge and stunning exhibition-scale engraving - copies of it are exceptionally rare. It is hand-coloured and has all the dramatic atmosphere of Turner's original painting. Turner took great interest in the reproduction of his paintings and always made sure the best engravers were appointed to produce these very important commercial ventures. An engraving of this size would have taken a skilled engraver many months to complete and the impressions would have been sold at galleries or through prestigious print sellers - they would have been for a more affluent customer and would never have been a cheap item to purchase.\u003c\/p\u003e\n\u003cp\u003eIt is in good antique condition - and is being sold unframed.\u003c\/p\u003e\n\u003cp\u003eDimensions: Image size is 55.5 x 79 cm. The plate mark is 66 x 88 cm.\u003c\/p\u003e\n\u003cp\u003eIt is going to cost about £15 to send to you in the UK - this will be applied to your order at the checkout. This will be with Parcelfore24. It will be a fully insured service and applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616840106048,"sku":"Plan Chest Drawer 8","price":400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/turner.png?v=1768661374"},{"product_id":"original-georgian-watercolour-rare-early-19th-century-grisaille-floral-designs-for-plate-border-decorations-h","title":"ORIGINAL GEORGIAN Watercolour.  RARE Early 19th Century Grisaille Floral Designs for Plate Border Decorations: H","description":"\u003cp\u003eThis is one of a series of VERY RARE painted designs for decorations for Georgian plates.\u003c\/p\u003e\n\u003cp\u003eAll my rare ornament watercolour studies (shown below) are for decorative borders on ceramic plates - and are specialist collector pieces.\u003c\/p\u003e\n\u003cp\u003eThey all date from around 1825 (King George IV or Regency period in England) and all came from the Gallery of Charles Plante Fine Art, Georgetown, Washington D.C., USA.\u003c\/p\u003e\n\u003cp\u003eThese designs hardly ever come onto the market and many are in specialist museum collections. This one has two designs mounted in one frame. The top one is very strange with its mythological creature featuring in the design. The bottom one features more traditional acanthus scrolls. Both watercolours are in grisaille - a palette restricted to grey tones.\u003c\/p\u003e\n\u003cp\u003eThey are in excellent condition for little studies made about 200 years ago - and have no fading or conservation issues.\u003c\/p\u003e\n\u003cp\u003eThe frame measures: 23.5 x 31 cm\u003c\/p\u003e\n\u003cp\u003eAs mentioned these design do not come up for sale very often, and are listed here at a very fair price.\u003c\/p\u003e\n\u003cp\u003ePostage will be with Royal Mail Tracked parcel service and this will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616844267584,"sku":"23\/6\/2012 MUSS","price":135.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/flowers8.png?v=1767460406"},{"product_id":"original-georgian-watercolour-rare-early-19th-century-grisaille-floral-designs-for-plate-border-decorations-f","title":"ORIGINAL GEORGIAN Watercolour.  RARE Early 19th Century Grisaille Floral Designs for Plate Border Decorations: F","description":"\u003cp\u003eThis is one of a series of VERY RARE painted designs for decorations for Georgian plates.\u003c\/p\u003e\n\u003cp\u003eAll my rare ornament watercolour studies (shown below) are for decorative borders on ceramic plates - and are specialist collector pieces.\u003c\/p\u003e\n\u003cp\u003eThey all date from around 1825 (King George IV or Regency period in England) and all came from the Gallery of Charles Plante Fine Art, Georgetown, Washington D.C., USA.\u003c\/p\u003e\n\u003cp\u003eThese designs hardly ever come onto the market and many are in specialist museum collections. This one has three designs mounted in one frame. The top one is a fantastic design with a branch with little berries on it - and two little butterflies. The bottom two features more traditional floral decorations.\u003c\/p\u003e\n\u003cp\u003eBeing Scottish, I love the little thistle motifs on the bottom design. The design might be for a Royal service as the thistle are on a band with the Honi Mal Y Pense motto on it (often found on the Order of the Garter).\u003c\/p\u003e\n\u003cp\u003eEach watercolour is painted n grisaille - a palette restricted to grey tones.\u003c\/p\u003e\n\u003cp\u003eThey are in excellent condition for little studies made about 200 years ago - and have no fading or conservation issues.\u003c\/p\u003e\n\u003cp\u003eThe frame measures: 23.5 x 31 cm\u003c\/p\u003e\n\u003cp\u003eAs mentioned these design do not come up for sale very often, and are listed here at a very fair price.\u003c\/p\u003e\n\u003cp\u003ePostage will be with Royal Mail Tracked parcel service. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616847315008,"sku":"23\/6\/2012 MUSS","price":140.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/flowers7.png?v=1767459953"},{"product_id":"original-georgian-watercolour-rare-early-19th-century-grisaille-floral-designs-for-plate-border-decorations-g","title":"ORIGINAL GEORGIAN Watercolour.  RARE Early 19th Century Grisaille Floral Designs for Plate Border Decorations: G","description":"\u003cp\u003eThis is one of a series of VERY RARE painted designs for decorations for Georgian plates.\u003c\/p\u003e\n\u003cp\u003eAll my rare ornament watercolour studies (shown below) are for decorative borders on ceramic plates - and are specialist collector pieces.\u003c\/p\u003e\n\u003cp\u003eThey all date from around 1825 (King George IV or Regency period in England) and all came from the Gallery of Charles Plante Fine Art, Georgetown, Washington D.C., USA.\u003c\/p\u003e\n\u003cp\u003eThese designs hardly ever come onto the market and many are in specialist museum collections.\u003c\/p\u003e\n\u003cp\u003eThis one has two designs mounted in one frame. The top one is a fantastic floral design. The bottom one features more traditional acanthus scrolls. Both watercolours are in grisaille - a palette restricted to grey tones.\u003c\/p\u003e\n\u003cp\u003eThey are in excellent condition for little studies made about 200 years ago - and have no fading or conservation issues. The paper has an early 19th Century WHATMAN watermark.\u003c\/p\u003e\n\u003cp\u003eThe frame measures: 23.5 x 31 cm.\u003c\/p\u003e\n\u003cp\u003eAs mentioned these design do not come up for sale very often, and are listed here at a very fair price.\u003c\/p\u003e\n\u003cp\u003ePostage will be with Royal Mail Tracked parcel service. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616857342016,"sku":"23\/6\/2012 MUSS","price":135.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/flowers6.png?v=1767459460"},{"product_id":"original-georgian-watercolour-rare-early-19th-century-grisaille-floral-designs-for-plate-border-decorations-b","title":"ORIGINAL GEORGIAN Watercolour.  RARE Early 19th Century Grisaille Floral Designs for Plate Border Decorations: B","description":"\u003cp\u003eThis is one of a series of VERY RARE painted designs for decorations for Georgian plates.\u003c\/p\u003e\n\u003cp\u003eAll my rare ornament watercolour studies (shown below) are for decorative borders on ceramic plates - and are specialist collector pieces.\u003c\/p\u003e\n\u003cp\u003eThey all date from around 1825 (King George IV or Regency period in England) and all came from the Gallery of Charles Plante Fine Art, Georgetown, Washington D.C., USA.\u003c\/p\u003e\n\u003cp\u003eThese designs hardly ever come onto the market and many are in specialist museum collections.\u003c\/p\u003e\n\u003cp\u003eThis one has one larger design and features a delicately painted pattern of wild flowers. It also has berries and a strange bunch perched among the foliage. Each of my watercolours is painted in grisaille - a palette restricted to grey-blue tones.\u003c\/p\u003e\n\u003cp\u003eThey are in excellent condition for little studies made about 200 years ago - and have no fading or conservation issues. \u003c\/p\u003e\n\u003cp\u003eThe frame measures: 40 x 20 cm\u003c\/p\u003e\n\u003cp\u003eAs mentioned these design do not come up for sale very often, and are listed here at a very fair price.\u003c\/p\u003e\n\u003cp\u003ePostage will be with Royal Mail Tracked Parcel Service. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616857800768,"sku":"23\/6\/2012 MUSS","price":130.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/flowers5.png?v=1767457551"},{"product_id":"original-georgian-watercolour-rare-early-19th-century-grisaille-floral-designs-for-plate-border-decorations-d","title":"ORIGINAL GEORGIAN Watercolour.  RARE Early 19th Century Grisaille Floral Designs for Plate Border Decorations: D","description":"\u003cp\u003eThis is one of a series of VERY RARE painted designs for decorations for Georgian plates.\u003c\/p\u003e\n\u003cp\u003eAll my rare ornament watercolour studies (shown below) are for decorative borders on ceramic plates - and are specialist collector pieces.\u003c\/p\u003e\n\u003cp\u003eThey all date from around 1825 (King George IV or Regency period in England) and all came from the Gallery of Charles Plante Fine Art, Georgetown, Washington D.C., USA.\u003c\/p\u003e\n\u003cp\u003eThese designs hardly ever come onto the market and many are in specialist museum collections. \u003c\/p\u003e\n\u003cp\u003eThis one has one larger design and features a delicately painted pattern of wild flowers. Each of my watercolours is painted n grisaille - a palette restricted to grey-blue tones.\u003c\/p\u003e\n\u003cp\u003eThey are in excellent condition for little studies made about 200 years ago - and have no fading or conservation issues. It has a WHATMAN 1816 watermark on the paper.\u003c\/p\u003e\n\u003cp\u003eThe frame measures: 40 x 20 cm\u003c\/p\u003e\n\u003cp\u003eAs mentioned these design do not come up for sale very often, and are listed here at a very fair price.\u003c\/p\u003e\n\u003cp\u003ePostage will be with Royal Mail Tracked parcel service. This will be applied to your order at the checkout. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":31616857931840,"sku":"23\/6\/2012 MUSS","price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/flowers4.png?v=1767457095"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/collections\/P1580871.jpg?v=1587072685","url":"https:\/\/www.iconicedinburgh.co.uk\/collections\/art-original-prints\/1820s-british-print.oembed","provider":"Iconic Edinburgh","version":"1.0","type":"link"}