{"product_id":"1960s-black-chalk-drawing-by-alexander-mackenzie","title":"Alexander Mackenzie (1923- 2002). 1960s St Ives School. Abstract Drawing Entitled: 18 June 1963.","description":"\u003cp\u003eThis is a museum-quality minimalistic abstract drawing by the celebrated British artist, Alexander Mackenzie (1923 - 2002). He was a member of the St Ives School and his work is much sought after.  \u003c\/p\u003e\n\u003cp\u003eHe was born in Liverpool in 1923 - and died in Penzance in 2022. He worked mainly in Cornwall but also made regular sketching trips to Cumbria. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1950, immediately after graduating from Liverpool College of Art, he moved to Cornwall, where he soon established close relationships with many artists, including Patrick Heron, John Wells, Ben Nicholson and Barbara Hepworth. \u003c\/span\u003e\u003cspan\u003eHe was based there for the rest of his life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMackenzie was a regular visitor to Nicholson at Trezion, the house perched amid the rooftops of St Ives from which many famous drawings and etchings were done. Mackenzie exhibited at the Redfern Gallery in London, and from 1959 to 1963 had a succession of exhibitions at Waddington Galleries. A selection of his works was acquired for the Arts Council and the Tate. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1964 (the year after producing this study) he was invited to become a senior lecturer at Plymouth College of Art, where he stayed for 20 years, ending up as Head of Fine Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a crayon and pastel drawing that Mackenzie made in 1963. He has titled it lower left: 18 June 1963 and has signed it in black chalk lower right (in his neat hand), as photographed.\u003c\/p\u003e\n\u003cp\u003eIt is a second near identical version of a sheet known as June 1963. This is currently in the collection of the Tate in London. The label text for the London variant states that \u003cspan data-mce-fragment=\"1\"\u003ethe drawing \"\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ewas part of a series (one of which I still possess) – a reclining figure \/ landscape \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eidea. I made two paintings at the time – reclining landscapes.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Tate Study was included in the  Summer Exhibition, Penwith Gallery, St Ives, 1963 (28) as ‘Drawing, June 1963’. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlexander Mackenzie also makes reference to a drawing that he made entitled 18 June 1963 in relation to the Tate Study. When the work was unframed it transpires that there was indeed a very similar work which was signed and dated 18 June 1963 underneath on a sheet of the same size. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn a later letter of 8 April 1978, the artist wrote: 'Both the drawings you refer to were done at the same time - as far as I remember a line did not look right so I redrew the whole thing - I did not realise that I had left it in as packing! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe artist has documented that he was making variants of the Tate composition and other works in the series which explains the status of this variant by him. The Tate study is not titled or signed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMy sheet has bold lines drawn with a thick black crayon (taken lots of images of the lines in close-up). There is a rubbing of some light grey-brown pastel behind the lines to the extreme left-hand side. This looks like accidentally smudging on the paper but is very much part of the artist's composition. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eImage size is 35.5 x 47 cm. The frame is 54 x 65.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eI have had this fine drawing professionally re-framed for the market. It has a nice simple wooden frame and the edge of the window mount has a decorative black bevelled edge which echoes the fine black lines of the composition. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt is a fine minimalistic and typically austere work by one of the great mid-century St Ives artists. It will look fabulous on display in a more minimalistic interior with monochrome decoration. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncidentally, David Bowie was an avid collector of works by St Ives artists \u003c\/span\u003eand owned a couple of works by Mackenzie acquired directly from the artist in his collection. \u003c\/p\u003e","brand":"Iconic Edinburgh","offers":[{"title":"Default Title","offer_id":39501708361792,"sku":"SOLD FOR £1750","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0271\/1902\/6240\/files\/alexander-mackenzie-1923-2002-1960s-st-ives-school-abstract-drawing-entitled-18-june-1963-british-art-356.webp?v=1790319667","url":"https:\/\/www.iconicedinburgh.co.uk\/products\/1960s-black-chalk-drawing-by-alexander-mackenzie","provider":"Iconic Edinburgh","version":"1.0","type":"link"}