This is a more unusual little pot by the British ceramic artist, David Lloyd Jones. I have a few wee pieces by him listed on my site - plus one monumental lidded pot.
Again, this pot is of a traditional shape. It has the full David Lloyd Jones mark impressed on the side of the pot, near the base. This would date it to being an earlier piece, probably dating it to the late 1960s / 1970s.
The bowl is hand-thrown with an attractive tenmoku glazes. It is more unusual in that the decoration is a little more figurative. There are is an underglaze of a rust shade with a second layer of dark brown on the top. The dark glaze has been applied to that tree forms and bushes appear coming out of the rust glaze. I have taken lots of photographs for your inspection. The more unusual glazes are reflected in my asking price for this wee pot - it is a unique piece.
It is in excellent condition. It is a charming little piece of Yorkshire Pottery.
Dimensions: The height is 3 1/4 inches (8 cm). The diameter at the widest point is 3 1/4 inches (8 cm). The rim is 1 3/4 inches (4.5 cm).
The wee pot will be sent to you with Royal Mail Tracked (Small Parcel). This will be applied to your order at the checkout. Other pieces will have a capped postage price as for one item. Any overpayments would be refunded.
BIOGRAPHY: David Lloyd Jones studied at the Guildford School of Art in the early 1950s. He was a self taught potter, inspired by the potters he saw in India whilst in the army in the 1940s, and by potters of the time such as Bernard Leach.
He initially concentrated on production sculpture – but also was taught some pottery by Helen Pincombe. This made him long to pursue an artistic career in ceramics. However, this vision was some time off as he spent the next 10 years working in a cinema in York which belonged to his father-in-law. It was not until 1962 when he was aged 34 that he was financially secure and able to take up potting full time. He had a pottery at Fulford on the outskirts of York. He started off producing a more simple range of domestic wares to help pay the bills. He also produced much finer works (in particular teapots and large chargers) which was of more exceptional quality and were included in exhibitions.
His reputation grew and he was eventually elected a member of The Craft Potter’s Association in the early 1970s. He was a member for many years and served as the Chairman in the early 1980s. His work is in the collection of the Victoria and Albert Museum, London and in the Crafts Council.